Maybe it’s because I talk for a living.

Whatever the cause, when I was in an ISDN session this week (and I don’t do too many of them, much to Dan Friedman’s chagrin) the commercial producer at the other end had me do my line readings (literally two lines) in sets of threes and sixes (or until I lost count) and then turned off the mic after saying she’d get right back to me. So I stayed on hold, in the announce booth, waiting.

Why they didn’t have the instrumental version of “The Girl from Ipanema” playing in the background while I waited, I’ll never know.

All I heard was….silence. For minutes.

While I made small talk with my ISDN host, in my mind, I’m imagining a conversation across to the other codec as the silence continued.

Producer: Why was this guy chosen again?
Assistant: We can probably still get some of the other voices, it’s not too late.
Engineer: Can we just fire him so I can go to lunch now?

Now, in fact what they were likely doing was listening back, matching my reads with the female voice talent whom they recorded earlier, Catherine Sheehan, whose sentences I was finishing as part of the script.

Mr. Everyman Voice wins again!

Anyway, then everything was fine and they said thanks and I went on my merry way.

But for a brief moment, inside this only occasionally paranoid voice actor’s head, the silence was deafening.

Did this ever happen to you?

The Archive of American Television has so many amazing interviews of performers who have truly fascinating stories that you really can’t hear anywhere else. Most of the interviews are uncut and I’ve really enjoyed that.

Well on a You Tube fly around I found this great series featuring the legendary Don Pardo from 2006. They are long segments but they are amazing.

I hope you enjoy.

Here’s another one of those situations where I missed out in meeting somebody whose work I always enjoyed.

Last week the voice over world and TV fans everyone bade farewell to Dick Tufeld.

Most of us “of a certain age” can remember Dick as the voice of “Robot” in the TV series “Lost in Space” and he WAS great in it.

But I also remember him on a number of award shows where at the end, he would say “This is Dick Tufeld speaking.”

I’ve written about Dick before on these pages. Here also is an obit.

Two nice ways to remember – or learn about – a great voice talent.

And of course, have a listen:

If you are involved in social media for your business or if you’d like some edumacation on same, you should attend a Podcamp.

If you are near Toronto (like me) you should attend this one – great people, great knowledge, great town.

February 25-26, 2012 at Ryerson University.

If a guy does a radio show across the country for 25 YEARS – do you think maybe you could let him say goodbye to his listeners if his tenure on the show comes to an end?

Especially if the show is pre-recorded?

The story from ALL ACCESS reported that Bill didn’t get to say that “goodbye” and that Matt Pinfield will take over St. James’ show “Flashback” (OK, he was the host, not the producer – but he was host for 25 years!)

I don’t know Bill St. James and I was not an addict of the show but I certainly knew of the show and know of his fine voice work.

I don’t really care what kind of political BS maybe involved in any of this…there’s a respectful and dignified way to end something like this. But it didn’t happen that way…again!

I think way St. James was treated here, as described, unnecessarily sucks.

Doesn’t it just seem wrong to you, or should I just stop caring?

The headline screams: “American Federation of Television and Radio Artists and Screen Actors Guild Reach Agreement on Merger Package for Recommendations to SAG and AFTRA National Board of Directors”.

Tip of the hat to Mercedes Rose for the heads up on Facebook.

Read all about it…this merger WOULD impact professional voice over talent in either union or a VO considering joining the new union.

In years past, these two professionally aligned unions couldn’t really get out of each others way in contractual disputes with studios and production companies and finally each other. People have realized for years that there is no need for TWO unions doing basically the same thing. Finally in the most recent elections, those supporting a merger were elected and now it seems, if the plan is ratified by the memberships, it will happen.

Will anybody outside of New York and Los Angeles care?

I’m not asking that in a snide way, I mean it as a real question: Has the non-union train left the station, not only for the people who join the performing unions but for people who hire the talent?

While talent outside of NY and LA question the value of agents to bring them substantial new work, those same people will debate the value proposition of what a union can really offer in calculable ROI for dues memberships. The performing world operates differently than it used to operate.

If this merger goes through (and I would be surprised if it didn’t) the resultant organization will have a LOT of work to do, I think, to encourage non-members to see significant value in becoming a member. It can be done…but that’s going to be a tall wall to climb.

What do you think will happen following a proposed merger?

My friend and bilingual voiceover talent Liz deNesnera recently achieved one of her written goals from Faffcon 3 which was to redesign her web site and rebrand her company.

Take a look for yourself but I think she did a very nice job.

Here’s a thought: I was just checking the stats on my Christmas card email blast.

That one email blast with a Christmas card drawing by my daughter was clicked through 830 times (that equates to 830 individual email addresses). That not the impressive statistic.

The impressive statistic is that is was VIEWED as of this writing 1,574 times.

Many people viewed it once but almost 300 people viewed it between 2-17 times!

It’s just a Christmas card right?

Actually, it was more than that…it was creative (all my daughter’s doing) and it was sincere.

Does this make me brilliant? No. I’m sexy, not brilliant….please get that straight. (j/k)

What those numbers (which could be exponentially bigger or smaller depending on your database) represent is people’s willingness, free will and desire to experience something creative…different. And honest.

So real quickly, let’s consider a missed opportunity.

You know what I DIDN’T get in the email once this holiday season? A Hanukkah card. Nobody sent me a Festivus card either.

Did they think I would be put off because that’s not what I celebrate? Heck, someone who thinks enough of me to send me a card for any happy holiday that is so special to them that they want to share it with me I will gladly accept. Wouldn’t you?

What about a St. Patrick’s Day card? Or a Canada Day card? Why not?

(Cue blowhard voice, deep. bellowing and full of gas) “Why Peter, it’s not professional! It might offend!” You know, this may be a personal bias (what offends me might not offend you and vice versa) but for example a Polish person who finds a special, fun, family tradition in Dyngus Day and who wants to send me a note telling me about it so that I might share in that happiness, does not offend me. I am honored even though it’s not my celebration. And I think “that’s different”.

If I saw a $5.00 coupon with that same note, I might question the sincerity of the sentiment

Don’t sell, just be sincere, be unique, be creative. Don’t include a press release, or holiday office hours or anything that screams “Me!” There’s a time and a place for that and certainly it’s still acceptable. But think different. Let’s your prospects become people and let those people see you as something other than a vendor.

Let them see you as a person.

How about we forget cards for a second…what else can you create for folks in your audience that just let’s them know you’re thinking about them?

What can you create that screams “Them!”? That you are thinking of them. Or that you just wanted to share this “fun” or “silly” or “special” something…just because they mean something to you as a person, as a respected individual.

If it were easy, anybody could do it. But you’re not just anybody.

What have you done that really made some client or prospect say “wow” in a good way? Or what ideas are now percolating inside you?

On March 23-25, 2012, Faffcon 4, presented by Voicebank.net will take place in Ventura Beach, CA at the Ventura Beach Marriott.

Registration opens this Friday, January 6 at 12:00 noon eastern time (9:00 a.m. pacific time – check your local listings).

If you are a PAST Faffer, the first 25 spots on the list will be open to YOU a full day before general registration opens, on Thursday January 5th at 9am PT (Noon ET).

I’ll be working on selling sponsorship packages to Faffcon 4 with my friend Connie Terwilliger and some options are not too expensive if you have a product or service you’d like to promote to some very successful or soon to be more successful voice talents (but as in life, nothing is free). Let myself or Connie know if you’d like to support with a nice door prize package or MORE.

January 1st is not my birthday.

But those social media outlets that demand a birth date in a profile have January 1st listed – I decided to make that my Social Media birthday.

I’m not big on putting a lot of vital personal information out on the web, a birthday being just one example of a person’s personal identity puzzle that those will ill intent could use in a nefarious way.

So thanks for your thoughts and wishes and I accept them in the spirit of kindness and friendship that they are offered.

I hope your new year is blessed, happy and safe.