Entries Tagged as 'voice actors'

Requiescat in Pace: Mark Driscoll’s Voiceover Creativity and Talent Gave Listeners Goosebumps

Mark Driscoll Voiceover TalentWhen I was working at WVUD-FM in Dayton in the mid-80’s, one of the young account executives came into my production studio to tell me he was going to take a radio sales job at WLZR-FM (which I thought at the time was somewhere near Indianapolis although those calls belong to a station in Milwaukee now).

Geography and my memory notwithstanding, the station’s nickname was Lazer. And the AE gave me a reel-to-reel tape of their station’s imaging, voiced by a guy named Mark Driscoll.  The radio industry nicknamed him “Mr. Voice”.

The industry folks at the time were clearly well aware of someone I was not…but someone I knew I would immediately never forget after hearing his radio imaging for that station.

I remember the mixture of voice and sound that came from my production studio speakers right now just as if it was then. It helped usher in a new sound at the time for contemporary hit radio (CHR). I wish I still had that Lazer demo. The excitement and energy of that station came flying through those speakers.

Mark Driscoll’s radio imaging work was among the first of its kind. And the copy writing!! Others were similar but they were not him.

The only thing I knew Mark Driscoll for was his voice work. Never knew or met the man. I was Facebook friends with him…heard some unique stories about him…but that voice…his production…you KNEW Mark’s work from the opening syllable and effects.

He was so talented.

Word came down from social media that Mark died this week at 72 years old. I hope he lived a happy life.

He left an indelible radio production mark on me. Wow.

Here’s some Mark Driscoll imaging work I found on the web and this probably isn’t even his very best stuff….but it’s still fantastic.

People, Voiceover People Who Need People – Post-COVID Edition

Chief Engineer Cameron Fitzpatrick At Soundtrax In Raleigh NC

Soundtrax Chief Engineer Cameron Fitzpatrick overseeing another successful voiceover recording session in Raleigh, NC (July 2021)

What a great treat recently to get back into SOMEONE ELSE’S voiceover studio with other real voiceover people.

Look, it’s always nice to be cast in any voiceover project because….money.

But this recording session was even MORE fun because it involved not just going to somebody else’s studio but it was a GROUP session with anywhere from 2 to 5 people safely recording TOGETHER in the studio!!!

Voice Actors Peter K. O'Connell, Bonnie Marie Williams & Asif Samad At Soundtrax In Raleigh NC

Voice Actors Peter K. O’Connell, Bonnie Marie Williams & Asif Samad at Soundtrax In Raleigh NC

Now, if you’re reading this and not very familiar with voiceover, all this excitement may seem rather silly. I get that.

But if you’ll remember back some weeks and months ago…when maybe you went back to work or celebrated a holiday with people you hadn’t seen IN PERSON in months or a year…you were excited and happy.

It’s like that.

Voice Actor and Soundtrax General Manager Becket McGough

Voice Actor and Soundtrax General Manager Becket McGough in session

It was great to see my VO pals again, in person.

Even better, I didn’t know all the voice talents I was working with. Some of them were new to me. New friends, yay!

One of them I had worked with remotely….they were in one studio and I was Source-Connected in from my voiceover studio. When I heard her voice today in person right next to me, I thought “where have I heard that voice?” 🙂

Male Voice Talent Peter K. O'Connell And Male Voice Talent Chadd Pierce At Soundtrax In Raleigh NC

Male Voice Talent Peter K. O’Connell and Male Voice Talent Chadd Pierce At Soundtrax Recording Studio In Raleigh NC

Look, whether pre-COVID or post-COVID, often there are not that many group voiceover sessions outside of NY and LA (and those are becoming less frequent too). It was great fun to see, visit with and work with my voice acting peers again  – in person!!!

Voiceover people are FAR from normal under the best of circumstances 😉 but this voiceover session was a taste of normalcy for us.

The way life used to be.

I’m thankful.

of background singers…and voice actors – same church, different pew

20 Feet From StardomAs you well know – if you know me at all – I am notorious late to seeing, listening or experiencing quality movies or music or events. I’m just busy and I have other priorities.

My feeling is I will see it or hear it or experience it when I am supposed to. I believe I have that kind of fate or guidance…spiritual or instinctive guidance, helping me through life and I appreciate it very much.

So when I tell you that in December of 2019 I have only now seen to 2015 Academy Award winning documentary 20 Feet From Stardom, you won’t be surprised.

Neither will I be surprised that you probably haven’t seen it either, because it’s a documentary and they don’t get the promo that blockbusters do.

Voice actors need to see this movie.

The brief synopsis is that this movie studies (quite movingly) the history and impact that background singers have made on popular music. You hear from rock stars you know (who’s respect for background singers is immeasurable) and from people you might not know but whom you have heard and sang along with.

As you witness the movie unfold, you will be amazed.

But the movie also studies why amazing singers prefer to stay in the back ground…or try to step forward without always resounding success.

Sound much like voiceover to you?

I think it sounds EXACTLY like the voiceover industry and if you are a voice talent, checkout Netflix or another streaming service and revel in 90 minutes of culture, talent, history and…personal reflection.

I hope this helps.

peter & kermit

Voice Talent Peter K. O'Connell and Muppet Puppeteer Steve WhitmireI met Kermit yesterday at Raleigh Supercon 2018.

No matter the stage of their voiceover career, beginning, apex, downslope (and everything in between), I don’t get excited or nervous meeting voice actors…especially around the ‘big names’ when others sometimes feel intimidated. I know they or I are just one step away from the other side of that coin (big career/average career). So when we get together or I meet one for the first time, it’s just like meeting an ‘average’ new person…because we are all average. A peer. At least that’s my attitude.

So as is the case at most Comic-Cons or Super-Cons, there were lots of actors and voice actors, all at various stages of their careers. Many screen and voice actors participate in the Cons (there’s money to be made there, so good on them) but many of the voice actors are from the gaming or anime world, worlds that I am not very involved in.

Raleigh Supercon 2018_audioconnell_voiceoverBut let me tell you, the audiences for these actors are VERY involved and that has to be very satisfying for the actors (I know it would be for me). Prior to the Raleigh Supercon, I was speaking with my friend Kara Edwards, the very popular and talented Anime Voice Actor, who was telling me the names of her fellow Anime actors who were in Raleigh. However, I couldn’t get anywhere near their tables…the crowds were too big!

Then, as I walked down celebrity row (my term, not the Con’s) I saw someone I knew of and wanted to talk with.

You might recall about a year ago I wrote a blog about Muppet puppeteer Steve Whitmire who, it had just been announced then, was fired by Disney as the puppeteer and voice of Kermit and had been let go from Muppets permanently.

Well Steve was at the Comic-Con and was just setting up his area. I hemmed and hawed about whether to bother him, but I decided to talk with him.

My goal was to let him know how badly I felt for him about the situation he left and that at various levels, we’ve all been there.

It turned into a very nice private conversation that I’m sure won’t be memorable for him after such a busy weekend meeting strangers. It made me feel better, though, that I got to tell him personally.

No matter whether you’re a screen actor, voice actor or puppeteer, this is a very emotionally draining business. Family and friends are nice during a bad spell, but sometimes it can be helpful to hear something supportive from people who fight similar battles (at various levels) everyday as well.

Well, that was my thought anyway.

some happy news for a friend

Darren Altman Britains Got Talent 2016

Whether one acts on a stage, in front of a camera or behind a microphone, a performer is still a performer.

Yet for as many years as I have been a voice-over performer, I can still be surprised by some of the talents of my peers. It reflects poorly on me that I guess I subconsciously pigeon-hole them in my mind as only a certain kind of performer. I need to stop doing that.

Voice Talents Peter K. O'Connell & Darren AltmanCase in point, I woke up this weekend to see on social media that my friend and fellow voice-over talent Darren Altman had gone and got himself on Britain’s Got Talent. As an impressionist. How terrific is that!!! What I found especially interesting was the fact that the impressions were based on a variety of UK voices, with whom I had little familiarity. But when you watch the audience and the judges, they were enthralled!!!!

The other part I enjoyed was that Darren was FEATURED on the show. They didn’t just show the audition, they did behind the scenes, they taped him at home with his family and really gave him the star treatment.

Not that I am intimately familiar with the details on such shows but I believe they make performers sign a non-disclosure agreement of sorts, which means Darren and his family couldn’t talk about him being on the show or how it turned out. That must have been a crazy secret to keep. But well worth the wait.

As he states in the package below, he’d never done anything like this before. So a great congratulations to Darren on this very brave and very successful TV appearance.

:30 seconds notice and no script

Peter K. O'Connell Moderates Voice-Over Agents Panel VO Atlanta 2016

VO Atlanta 2016’s Voice-Over Agent Panel. L-R Peter K. O’Connell, audio’connell Voice-Over Talent (Moderator); Erik Sheppard, Voice Talent Productions; Jeffrey Umberger, Umberger Agency, Tanya Buchanan, Ta-Da Voiceworks; Marci Polzin, Artistic Talent; Susie De Santiago, De Santi Talent and Ralph Cooper, Capital Talent Agency. Photo Courtesy of Tom Dheere.

It was about :30 seconds between the time when I was asked to MC the Voice-Over Agent panel discussion at VO Atlanta 2016 and when I hit the stage and kicked off the session among a hotel ballroom full of people.

And oh by the way, there was no agenda, no script and no panelist bios.

Go!

Adrenaline? Nerves? Panic? There seriously wasn’t time to consider any of that.

The audience didn’t know about the birth process I was zooming through, they just knew the baby was coming – they wanted to hear the panel. For all they knew, I was scheduled as host weeks before.

Um, no.

Yes, I have moderated many panels and events over the years. I’ve done tons of live announcing and a bunch of emcee and hosting work for trade shows, conferences and award shows. It’s something I enjoy doing and I’ve been lucky to get high marks (and paychecks) from clients for my work.

Most importantly, with each of them I enjoyed lots of preparation, plenty of notes and a script.

Not Saturday.

By the way, that’s not anybody’s fault. Most panel discussions I’ve done, a moderator crafts a series of questions to start things off and maybe to fall back on if the panel discussion lags…they rest of it often is pretty free-form discussion.

So here’s the background on this special instance.

I was a first time attendee at VO Atlanta. I was not there in any other capacity – not a host, teacher or janitor.

The Voice-Over Agent panel was the second session of the morning on Saturday in the main ballroom. I started the day in this room because I had attended the previous panel session on voice-over marketing, featuring my smart friends including Celia Segal, Tom Dheere and Joe Cipriano.

The agent panel was an important focus for me at the conference because there were some folks on the panel I wanted to meet. I was about to get one hell of an introduction to them.

They included Ralph Cooper from Capital Talent Agency in Washington, D.C., Marci Polzin from Artistic Talent in Los Angeles and Susie De Santiago from DeSanti Talents, Inc., in Chicago.

As my unexpected adventure progressed, I would find it very helpful that the other three  voice-over agents on the panel were already my longtime voice-over partners/agents including Tanya Buchanan from Ta-Da Voiceworks in Toronto, Erik Sheppard from Voice Talent Productions in Austin and Jeffrey Umberger from Umberger Agency in Atlanta. We knew each other pretty well from various projects we’ve work on and I had a sense in this setting (as in every other instance we’d each worked together) they would have my back. (It turns out, I was right).

It all started innocently enough. Prior to the event starting, I was standing off to the side of the stage, just talking to Tayna and Erik, when Jeffrey approached us to advise that he was not only a panelist but also the moderator. In passing, Jeffrey offered that he wished he was just a panelist. We all said something along the lines that he would great (which he would have been).

I left the group so they could do whatever prep they needed to do and I took my seat near another voice-over friend Jackie Bales. We were talking about voice-over and people we both knew in the TV news business, where Jackie worked before going into voice-over full time.

Suddenly, we both became aware that the panel was about 10 minutes late in starting.

Spider-Man had his spidey sense. I have FaffCon-sense, which tells me when an event or program might be running in a small bump in the road (like not starting on time).

That same sense also caused the trouble I got myself into here.

I looked around and saw no VO Atlanta staff in the immediate vicinity (there was lots going on in other rooms at this particular time). I jumped up and over to the area the agents were. I said to Jeffrey that they needed to get up on stage.

Please note: I was totally out of line saying anything like this, because it wasn’t my event or responsibility. Yet these were my friends and I was trying to help them and the event.

Jeffrey said they were waiting on one more agent but that she was late and that they needed to get going.

And then he said “Hey, can you be the moderator?”

In the milliseconds that followed, I remember mentally processing only these three things:

  • This event was late getting started
  • This one event needed help
  • It was my friend and agent Jeffrey that was asking me for a favor

Being in “event” mode (again, not my place but it’s a fault I have) I said yes and I began to usher everyone up the stairs to the stage.

It was on those stairs that I changed into “broadcast” mode.

“Jeffrey, is there a script?” Peter asked.

“No.” said Jeffrey.

‘Oh s—.’ thought Peter.
As I picked up the hand-held microphone at the moderator’s podium, Jeffrey slid in front of me the open page of the program which listed the names and company names of the panelists.

That program and my cell phone were my tools for the next very live 80 minutes.

As I discussed later in the evening with my friend and fellow voice talent (and accomplished broadcaster) Mike Cooper, live broadcast training comes in very handy during many of life’s unexpected moments. Without a doubt, that training served me well in this situation.

Mind you, I haven’t been ‘on-air’ since 1986 but I have come to find out broadcast skills simply don’t leave you once you have them (see: riding a bicycle).

Peter K. O'Connell_Moderator_VO Atlanta 2016I brought up the mic and just started to talk (never let them see you sweat, right), beginning with a welcome (‘what was this panel’s official name? Uh, make something up’) and then I presented a format for the session. I quietly hoped there wasn’t a real format for the event because I went all Houdini on them with the format of my choosing. Abracadabra!

My mind was swirling as I spoke: ‘hmmm, I need to create actual questions!! Better yet, I need to stall for time so I can WRITE some questions’.

Well, with no bios, I called an audible and asked each panelist to introduce themselves and their company and tell the audience about their background.

‘Good, they’re talking’ I thought to myself. Via quick math I decided if they each spoke for a minimum of :30 seconds, I should have about three minutes to write some questions that would allow agents and talents to help better understand each others perspective. That would be good, right?! It would make sense, wouldn’t it!

Oh heavens, I hoped it would make sense!

Here are my Murrow-esque inquiries that I furiously typed into my phone while panelist introductions went on:

What’s trends in voices

Trends in clients

Your daily challenges

?Communication with talent

Communication on slate and details

Yes, I know these word strings don’t make much sense to you, but I just needed to have word cues for the questions in my head. With these points I knew I could formulate something (somewhat) intelligent when the time came. Maybe intelligible would be more accurate.

The rest of the session for me was a bit of blur, made completely awesome by the way all six panelists gelled so quickly with each other, continuing their own discussions without much prompting from me  to keep the conversation going.

To the audiences delight (and my relief) the time went by very quickly.

People said nice things about the event afterwords, which I took as a passing grade, nothing more nothing less.

And I aged about 5 years in 80 minutes.

It was fun. Well, it’s fun NOW cause it’s over!