Apparently the voiceover paparazzi have a very long memory.

CanvasRebel very kindly invited me for an online interview back in 2023. A few months ago, they asked me again. I’m not quite sure how I landed on their interview list a second time, but I was happy to answer a fresh set of questions.

The focus was a bit different this time—they asked about the people who have helped me build and run audio’connell Voiceover Talent and how those relationships came about.

That includes my graphic designer, Ann Hackett, who has put up with my design ideas for more than 20 years.

It also includes a recording studio in Chicago where I booked a session while traveling. The staff liked my work and suggested I contact Big Mouth Talent. I did, and within a few weeks, I had a new voiceover agent in Chicago. I went looking for a microphone and came home with an agent. That was a pretty good trip.

We also talked about the radio station visit that started my fascination with microphones at age five, what I learned at WVUD decades later, and two other lessons that took me considerably longer to learn.

If you’d like to learn all the details, you can read our new conversation here.

Tags: commentary, marketing, media by peter k. o'connell, your friendly, neighborhood voice-over talent
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By Peter K. O’Connell

The line between brilliant and stupid is often blurred when you own a small business.

It’s frequently crossed when you’re also responsible for the creative marketing for said business.

I am a creative guy and I have many good ideas. That’s not ego…I have cashed the checks that confirm that fact.

What you can also bank on is the fact that I have had some really bad ideas that I thought were swell. There is not one creative person who hasn’t lived this truth.

So whether the following is a swell idea or a stinker will have to be left up to history to decide.

We hold these truths to be self evident that this is the honest Abe story.

It’s coming up on the Midterm Elections and I have updated my political commercial demo for campaign managers and political advertising consultants to listen to as they hire voices for all the political ads.

Not quite as important as album cover art of my youth, but the art/look/branding that goes along with political demos can help keep the voice talent as memorable in the buyer’s mind as the voice demo does within the buyer’s ear.

In the past, photos involving the U.S. Capitol and American Flag have adorned my political demo branding — which looked about as bland as it now sounds.

But what could I come up with as a better idea?

Then I saw an old postage stamp with my pal Abe Lincoln on it. Then I thought ‘what if I created an image of that kind of old time presidential stamp but with picture of me looking kind of old timey.’ All red white and blue but with an 1800’s feel to it.

It had to have a little humor to it so everyone was in on the joke. So working off the Lincoln stamp, I grabbed an old picture of me, put “26” where the stamp cost was supposed to be (for 2026), I put “MIDTERM ELECTIONS” where it said U.S POSTAGE etc., and of course added a microphone to make it blatantly clear what this image was about.

SO this is either another gold standard in voiceover political branding or absolute egotistical crap that will haunt me to my deathbed.

Male Political Voiceover Talent Peter K. O’Connell has released a new Political Commercial Voiceover Demo

In either case, I promise the political voiceover demo is really good.

About Peter K. O’Connell
Peter K. O’Connell is an award-winning male voice actor with more than 40 years of political commercial voiceover experience. He provides political voiceover for radio, television, digital and campaign advertising from his professional Source-Connect equipped studio.

[Listen to my Political Voiceover Demo]

Tags: branding, marketing, political advertising by peter k. o'connell, your friendly, neighborhood voice-over talent
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Here’s what I expected from Tuesday’s Apex Chamber networking event: coffee, handshakes, maybe a new lead.

Here’s what I did NOT expect: to become a corporate race sponsor rubbing shoulders with companies that have actual marketing budgets.

I had been to more than a few networking events at the Apex Chamber of Commerce, so this week’s morning gathering wasn’t going to be out of the ordinary as far as I was concerned. It was going to be held at the new Foxtail Coffee in Apex, NC – it’d been there some months but it was new to me.

Anyway, it was a very nice early morning crowd as I was walking around, mingling with familiar and new faces — talking about their businesses, chatting a bit about audio’connell. Then, kinda outta nowhere I was at a table with Amy Riley who is the Volunteer Relationship Coordinator for the Apex Chamber of Commerce.

Live Announcer and Emcee Peter K. O’Connell networking at the Apex Chamber of Commerce AM Networking in February just before getting roped into becoming the Entertainment Sponsor for Run The Peak on March 7th

If you haven’t met her, she’s just all the good things – smart, happy, interested, conversational, with everybody. We just got to talking about the various things she was doing with the Apex Chamber and how she’s now in charge of the Run The Peak 5K & 10K race on March 7th.

This upcoming 5th Annual running of this race is her first time overseeing it and she went on to talk about some of the things was involved in the planning and in that list – blamo!- here it came: “Oh, hey, we need an announcer for the race.”

“Oh s—!”, said the voice inside my head.

Yes, I do live announcing, yes I do live emceeing but I DIDN’T wake up and expect *this* on my early morning networking plate.

A few minutes later, I became not only the Emcee Host / Announcer of the Apex Chamber of Commerce’s 5th Annual Run The Peak 5K & 10K race, I became the race’s Entertainment Sponsor. Yup, that’s me up there sponsoring with Dell Technologies, Fidelity Bank, Wake Med Hospital and a bunch of other significantly laaaarrrrger businesses than mine.

So at Zero Dark Thirty on Saturday, March 7 (WHY do runners need to get up so early??!!!) I will be on the mic at the Run The Peak, beginning at Apex Town Hall on Hunter Street. Hope to see you there…please say hi!

Tags: emcee, live announcing, marketing by peter k. o'connell, your friendly, neighborhood voice-over talent
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Let me start with a confession that every solopreneur in the voiceover industry will understand: writing about yourself is excruciating.

I just published a completely revamped “About” page at audioconnell.com. It was one of the hardest web pages I’ve ever written. Not because I don’t have 40-plus years as a professional voice actor to draw from. The awkwardness comes from having to sound braggadocious. Listing campaigns. Name-dropping clients. Talking about awards and testimonials from people in the business.

Ick!! That’s just not who I am.

But here’s what pushed me to finally revamp this page on my website and update this content: the way casting directors find voice talent has fundamentally changed. Traditional search engine optimization isn’t enough anymore because people aren’t just googling “voice actor” and clicking through links.

They’re using voice search and asking AI assistants conversational questions like “Who’s an experienced automotive voice talent with Source-Connect in North Carolina?” and getting direct answers. If your content isn’t optimized for AEO (Answer Engine Optimization) and GEO (Generative Engine Optimization), you’re invisible to this growing search method that’s adding millions of sessions monthly.

The Uncomfortable Truth
Here’s my struggle: how do I mention that I voiced the Maaco “Uh-Oh, Better Get Maaco” campaign without sounding like I’m showing off? How do I talk about being character voices for Kraft Dinner or doing the Crest “Pro-Active Defense” commercials without feeling like a braggart? How do I highlight my corporate narration and live announcing work without coming across as self-important?

But then I realized: casting directors aren’t reading “About” pages anymore. They’re asking ChatGPT. They’re using Perplexity. They’re having AI tools create shortlists based on specific criteria and user intent. If your website content (like this reconstructed “About” page) doesn’t answer those natural language queries with clarity, you don’t make the shortlist.

The Part That Made Me Squirm
You know what was worse than listing clients? Showcasing testimonials. Geez!!!

Don’t get me wrong, the clients who provided them are lovely and were genuinely happy to contribute. But having to originally request them felt so cringe. Posted them on a “Client Testimonials” page…ack!!!

Now I’ve got to put some of them on my “About” page on top of my testimonials page because that’s what content strategy demands in 2025???? Feels rather clownish for me.

BUT it’s the craziness of how internet search works now. You need authoritative sources and third-party validation scattered throughout your site because AI systems are looking for that confirmation everywhere, not just in one spot.

Something about it still makes my skin crawl. Like stepping on a wet bathroom floor in socks.

The Structure Question
I wrestled with how to organize everything to make AI happy (because evidently that also now part of my job description). Do I lead with my origin story? Do I jump right into the client roster? How do I structure my explainer video samples and voice of god demos?

I finally realized the answer: both. But in scannable sections with clear brand messaging that work for human readers and AI systems alike, optimized for featured snippets and question-based queries.

Why I’m Telling You This
I’m writing this because I know a lot of you are in the same boat I was in.

You know your old “About” page is outdated. You’re not doing any (or enough new) SEO copywriting or content creation to improve your organic traffic. But the thought of writing about yourself, of listing your achievements, of including client testimonials makes you deeply uncomfortable.

I get it. I felt/and still feel/ exactly the same way.

But here’s the truth: if casting directors and producers are using AI tools powered by large language models to research voice over talent, and they are, then your discomfort with self-promotion is literally costing you work.

The page is live now at audioconnell.com/about.

Check it out. See how I handled the awkwardness.

See if it helps you think differently about your own site’s content optimization.

And if you’re still struggling with the braggadocious feeling? Remember: it’s not bragging if it helps the right people find you for the right projects.

Peter K. O’Connell is an award-winning professional voice actor, live announcer, and voiceover coach based in Raleigh, North Carolina. For over 40 years, he’s been “America’s Friendly Neighborhood Voiceover Talent,” delivering versatile, broadcast-quality voice over for national brands, Fortune 500 companies, and live events worldwide. Connect with Peter at audioconnell.com.

Tags: branding, commentary, internet, marketing, technology, voiceover by peter k. o'connell, your friendly, neighborhood voice-over talent
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“I’m not a real doctor but I play one in commercials” – voice actor Peter K. O’Connell

Voice actors, buckle up.

On this Halloween, this is not a trick but it also may not be a treat either.

A seismic shift is coming to the $10+ billion pharmaceutical advertising industry—and honestly, even the big players in this marketing world aren’t entirely sure where it’s all heading.

I recently came across an excellent piece by Maia Anderson at Healthcare Brew that breaks down what’s happening with pharmaceutical advertising regulations, and it got me thinking about the ripple effects on our corner of the ad industry – voiceover.

If you’ve ever recorded one of those rapid-fire disclaimers about pharmaceutical side effects or told viewers to “ask your doctor,” you know that pharmaceutical DTC (direct-to-consumer) advertising represents a not insignificant chunk of commercial voiceover work. Many of these scripts may not be winning creative awards, but they’ve been reliably helping many of us pay mortgages, insurance premiums, and maybe even fund our home studio upgrades.

Now, the entire marketing landscape might be shifting beneath our feet.

What’s Happening?

(Quick note: This post is purely informational—not a political statement. Just sharing the facts of a news story that could affect our industry.)

A recent policy change by the Trump administration has pulled the plug on something called the “adequate provision” loophole from 1997.

Translation?

Pharmaceutical companies can no longer breeze through safety information in TV ads and direct people elsewhere for details. They’ll need to spell everything out—every side effect, every warning—right there in the commercial.

Read that….now think about the scripts we’ve been voicing…now think about “how in the world are they going to say all that in a TV spot?”

The FDA isn’t messing around either. They’ve already sent out thousands of warning letters and roughly 100 cease-and-desist orders to pharma companies about “deceptive” advertising.

The Numbers That Should Get Your Attention

Let’s talk advertising budget reality here, because this hits right at the heart of what affects us as voice actors:

1. Pharmaceutical advertising spending hit $10.1 billion in 2024, with about half ($5.15 billion) spent on TV ads alone
2. In just the first three months of 2025, drugmakers dropped an estimated $729.4 million on commercials for the top 10 pharma brands alone—nearly 30% more than the previous year
3. Industry experts predict these new requirements will make broadcast pharmaceutical advertising “very expensive and very difficult”
4. Ad agencies are warning that if advertisers need to buy 30 more seconds of airtime just for safety disclosures, “that’s going to cut down on your spend and cut down on your creative opportunity”
5. The result? Most TV ads would likely come from only the biggest pharma companies who can afford the longer, costlier ad spots

What This Means for Voice Actors

Here’s where it gets interesting for us and the commercial producers and ad agencies we work with. Longer ads could mean fewer ads. Fewer ads could mean smaller production opportunities and less creative advertising spend. Smaller production opportunities mean… well, you can do that math.

Some pharmaceutical advertising insiders predict a major pivot to “unbranded” advertising—creative ads that talk about conditions rather than specific drugs. Others think marketing dollars will shift toward healthcare professional advertising or patient advocacy. Either way, the traditional :30 and :60 TV spots with our disclaimer voiceovers could become an endangered species. Or maybe not, because…

Nobody Really Knows (And That’s The Point)

What strikes me most about this story—and why it fits perfectly here at voxmarketising where we’ve been covering the intersection of voiceover, marketing, and advertising for decades—is that even the smartest people in pharmaceutical advertising are basically shrugging their shoulders, very unsure of what’s next. One agency managing director summed it up perfectly: “Like everything else with this administration, you just kind of play it day by day and see where things go.”

So what should we voice actors do?

Panic…that’s certainly the best option.

I’M KIDDING!!!!

Stay aware. Keep your VO skills diverse. Don’t put all your eggs in the pharma basket if you haven’t already. And maybe polish up those healthcare professional demo reads—that sector might be getting a budget influx.

The pharmaceutical advertising world is heading into uncharted territory, and we’re all along for the ride.

Stay informed, stay flexible, and keep those mics warm.

I hope this helps.

Tags: advertising, commercials, marketing, voice talent, voiceover, voiceover advice by peter k. o'connell, your friendly, neighborhood voice-over talent
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Voice actor Peter K. O’Connell as Santa…or is it REALLY Santa??

Okay, okay — I know it’s not even Halloween yet. But here I am, having been knee-deep in Christmas scripts for a while.

Sorry folks, the holidays have arrived again (certainly for some months now — in the world of voiceover).

For voice actors, this time of year is pure magic. The studios have been buzzing with holiday energy, and as you’ve seen and heard in retail stores (and some media) ad agencies, production studios, and digital media teams are cranking out festive campaigns for radio, TV, streaming, and social.

It’s honestly one of the most fun times to be behind the mic.

Why the Holidays Matter So Much in Voiceover

The holiday season is huge — not just for shoppers, but for brands and voiceover professionals alike. Here’s a snapshot of just how important Q4 really is in the U.S.:

Top 5 U.S. Holiday Advertising & Consumer Facts:

• U.S. consumers planned to spend around $1,595 on average for the 2025 holiday season. (Deloitte)

• Holiday retail sales were forecast to reach about $1.66?trillion, with 92% of consumers planning to shop this season. (ICSC)

• Nearly half of U.S. shoppers planned to make purchases before Thanksgiving, showing how early brands need to start their campaigns. (Circana 2025 Report)

• U.S. digital ad spending was expected to exceed $300?billion in 2025, with digital video (including CTV) growing around 16% year-over-year. (eMarketer)

• For the 2025 holidays, 37% of consumers planned to shop in September/October, earlier than the 32% planning purchases in November/December. (AdRoll 2025)

Top 5 Voiceover / Audio Advertising Stats:

• Holiday-themed audio ads can boost purchase intent and brand recall by 26%. (Audacy/Consumable)

• In Q4 2024, U.S. listeners spent 67% of daily audio time with ad-supported radio, 18% with podcasts, and 12% with streaming audio. (Nielsen)

• Multi-channel holiday audio ads delivered 55% higher conversions, with festive voiceover cues playing a key role. (Radio Ink Q4 Case Study)

• Retailers using holiday-themed audio ads saw a +5.2-point lift in unaided brand awareness and a +5.7-point boost in purchase intent. (Audacy / Radio Ink)

• In-store audio ads with voiceovers influence Gen-Z buying behavior about 5× more than Baby Boomers during the holiday season. (Vibenomics 2025)

The Fun Part: Playing in Santa’s, er…Peter’s Audio Workshop

This is where it gets really fun for us. Around the holidays, we get to lean into all sorts of characters.

I’ve voiced Santa Claus (more times than I can count), elves, reindeer — even the occasional overly excited toy robot. I haven’t voiced Mrs. Claus…yet!

There’s something special about bringing those characters to life — a blend of storytelling, humor, and warmth that keeps holiday advertising feeling personal and memorable.

Why It All Matters for Commercial Producers and Creative Directors

For producers, ad agency creative directors, studio engineers, and digital media creators, the holidays are go time. In my opinion, the only more pressure-filled, deadline ridden time is political season. That’s a special kind of fast and furious.

In Q4, every project has a rush deadline, every brand wants to sound fresh, and every campaign is racing to hit that emotional sweet spot before the year ends.

That’s where seasoned voice talent comes in — folks who can pivot from warm and cozy to bright and energetic, and who can bring characters (and products) to life under tight turnarounds.

So yes — even though it’s technically spooky-season right now, my studio already smells faintly of pine needles and peppermint. And that’s just fine by me.

Here’s to a busy, merry, and microphone-filled holiday season ahead.

The holiday mic is hot, and my studio smells faintly of peppermint. Need a festive voice for Santa, elves, or quirky toys? Let’s make some Christmas voiceover magic — peter@audioconnell.com | 716-572-1800 or 919-283-1516

Tags: advertising, character voices, commercials, marketing, political advertising, radio, tv, voice talent, voiceover by peter k. o'connell, your friendly, neighborhood voice-over talent
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