Entries Tagged as 'tv'

bad Imus, bad channels, bad us…apologies not accepted

don imus

OK, Imus has been fired.

I don’t care about that so much because I really didn’t listen to him. The stuff I heard on his show I didn’t care for so I turned the channel. That’s what grown-ups do.

What Don Imus said about the women’s basketball team was stupid and offensive…to everybody. Depending on your social or political persuasion, you could argue that most of his show was usually either or both. He’s been doing some sort of inane or “shock” radio for 30 years; what’s the surprise about? People have been free to tune in or tune out Imus’ on-air belligerence for a long time

Controversy is pretty much the only ratings card morning radio has to play any more: A. all news or sports B. all music or C. comedy/stunting/controversial. So on average about 3.5 million people thought Imus’ controversial act (and some political chat) was worth listening to in the morning. Who’s blaming the listeners?

Imus’ employers didn’t care what he said or did as long as sponsors were happy. His sponsors didn’t care what Imus’ said or did as long as the audience and ratings were there. The audience either endorsed or was apathetic to Imus’ shtick (maybe they waded through the obnoxious stuff to get to the heady political interviews).

Then a political group gets wind of an Imus comment (that was stupid and offensive), a dust storm builds up into a tornado and repeated, likely heartfelt Imus apologies become mere interruptions in a diatribe which seem to be about social justice (a good thing) but more often are really about political and/or celebrity gain (a bad thing).

Sponsors and broadcasting companies who have long endorsed Imus’ shtick suddenly distance themselves as if ignorant to his previous work on their air. Who are they accountable to? Don’t say the government because in matters of broadcasting and any word that rhymes with “decency” our government is useless.

I don’t know if Imus is a good person or not but I do know he said a dumb thing, had his apologies summarily ignored and is now out of a job (two words: satellite radio). He gets most of the blame on this to be sure but not so much that dismissal was the only option. Shall we also fire the listeners, sponsors and networks? It seems they should shoulder much of the blame here too.

But we’ve become so comfortable with our scapegoat culture (protest here, finger point there) that once we’ve set our collective laser beams on a target (big or small) we fire at will. Then after the explosion, we move on with no perceptible improvement in OUR behavior.

Do we as a society even know how to accept an apology any more? Are we getting to a place in time where even saying “I’m sorry” is pointless?

Over at CBS News.com, Dick Meyer presented some other points (some similar to mine) on how our culture thrives on building up then tearing down celebrities. I don’t think we’d have to look to far to see how we do this in our own personal and professional lives as well.

Man, I hope we stop doing this soon.

unwinding with a little golf talk during masters week

masters.org

Everybody needs a hobby or something to unwind from work’s daily grind.  Yes, voice over can be a grind sometimes.  It IS a job, even though it’s among the most fun jobs around. 

So one of the things I do to unwind is play golf. I don’t play well or often enough, but I enjoy “playing at golf”. 

In the northeast, our golf season is somewhat short. So the annual Masters Tournament is kind of like a Punxsutawney Phil for golfers and he always sees his shadow during Masters Week.  The Masters means the golf season is a bit closer. 

Knowing how crazy golfers get at this time of year, I thought this article from ESPN was especially funny. Most golfers know not to take themselves too seriously.

what else is on TV?

television

Editor’s Note: In the daily observation of life around him, the author occasionally feels the need to point out ridiculously inane behavior and general thoughtlessness. These are called “Rants” and this is one of those times.

Here’s the thing, I do voices for television commercials and narrations for TV documentaries but the truth is I really don’t watch much TV. There are no shows that really grab my attention. It’s a personal preference I guess.

Tonight though, with some in-laws in town, I fired up the laptop and wireless and watched (sort of) TV. Tonight’s choice was a bunch of CSI’s on Spike TV (I like some of these shows…they’re well written, especially later episodes where they don’t seem as blatant in their exposition of the “what & why” of a forensic tool they’re using).

But the epiphany wasn’t so much in watching CSI as it was in the promos and ads on Spike between Acts. Violent, bloody horror films, TV shows and CSI: NY promos (Spike prompting that show as the “ballsier and bloodies CSI) were on for at least two minutes of every break. Movie titles like Black Christmas, Vacancy, Disturbia, and Shooter (uh, sorry, no links to this crap, folks). Or the heartwarming TV story of Ultimate Fighter 3 -5. What crap!

Next time you come across a guy or teenage boy (Spike’s target demo) who has “issues” or seems a bit screwed up, ask them what TV shows and movies they watch (let alone what video games they play). The answers wouldn’t surprise me, I don’t think.

Oh, and lets not blame the networks or studios (entirely, anyway)….if they thought they could make money broadcasting 24 hour crocheting, they’d show it. But somebody is buying and watching all this violent crap. Some parents aren’t monitoring what their sons are watching, when they should be turning off the television and introducing their kids to a book.

So turn off the violence, look at something more peaceful. http://www.technorati.com/profile/audioconnell

It’s a personal preference I guess.

a news voice should not be a commercial voice

edward_r_murrow_cbsnews

Editor’s Note: In the daily observation of life around him, the author occasionally feels the need to point out ridiculously inane behavior and general thoughtlessness. These are called “Rants” and this is one of those times.

Well, this will likely put me in dutch with some of my broadcast news friends but I can’t sit quietly about this any longer cause it BUGS me…radio news reporters and anchors should NOT be doing commercials…period.

Now before you cry discrimination, the TV news people shouldn’t either but I’ve not seen that happen. I have heard it far too often for my liking on the radio. It’s wrong.

While there was a time in radio and television’s history where news people often read live commercials, that practice dissolved as broadcast outlets’ news divisions evolved and the integrity of the news department became sacrosanct. Today, radio news departments have to scrape and claw for the money they need to do proper field reporting with decent technology while being first and accurate with the story in an amazingly short production window. In such an environment, salaries wane and integrity teeters.

At such a critical time when broadcast corporations often seemingly replace “public trust” with “shareholder’s investment” the news divisions and their leaders should not muddy the waters regarding their market’s perception of their talent by allowing those newscasters to read a murder report one moment only to have that same reporter’s voice heard on a pre-recorded car commercial the next. Not on their station or any other in their market.

What about out of market spots or corporate narrations for videos or even audio books? I have no problem with any of that. But in a local market, if you’re a news voice you cannot be a commercial voice. News integrity means never having to say “24 months interest free financing on approved credit.”

best super bowl commercial 2007

I’m sure there are some folks who would dare be dumb enough to debate me (ha, thems fightin’ words) but there is no way that any one could possibly sway me to believe that during Water Bowl 41, uh, I mean the Super Bowl other than THIS ONE.

It’s funny, totally unexpected and (save for what the spot’s talent COULD HAVE charged but didn’t) the least expensive professional commercial produced for the big game.

Hands down, best spot. Next!

voice casting or root canal, you decide

If only jobs were as easy or exciting as they initially sounded.

The idea of being a chocolate taster seems like a good idea but if you think about it, maybe not. After a while, you are likely going to be pretty sick of chocolate.

It’s kind of the same thing when casting a voice for a production. There are lots of talented men and women out there who serve as professional announcers or voice over talent and can easily a voiceover your commercial, imaging project, on-hold message or video narration.

And I mean lots.

That’s where the challenge comes in.

Describing the type of voiceover you want

As the potential voice over employer (client), having to describe a voice you want for your project for a production house or on-line audition service will almost require a PhD in similes. If it makes you feel any better, voice talents are just as bad as describing their sound for clients (the over used description “voice of God has always struck me as a rather unqualifiable reference that always makes me chuckle).

But these totally subjective descriptions from clients and voice over talents are a large part of what makes voice casting an incredibly inexact science that rarely proves accurate. It’s not because the employer or announcer wants to mislead, but more because the spectrum of sound quality is so skewed to each listener’s taste.

Sifting through voice over talent auditions

If one voice over talent audition is heard, a hundred are heard. Old voices, young voices, sleek, rough, country-bumpkin and city slicker. The even worse news is that on some auditions all the aforementioned voices may be on just one audition.

Set some uninterrupted time aside and plow through them… it’s going to take awhile.

The weird science of voice auditioning

From the office secretary of a small business to the Chief Creative Officer at a worldwide advertising agency (and that IS how broad the range is of people selecting a voice talent nowadays), what you think you want at the beginning of the process is rarely what you end up with at the end of the voice over auditioning process. Of course, there are exceptions but usually the process of voice talent auditioning creates some sort of epiphany for the client at some point in the production process.

Whether it’s the special sound of a female talent’s low vocal register or the dead-on impersonation offered a male talent, a voice talent can cement an ad campaign’s direction or so amazingly enhance a marketing concept that a new campaign idea is born. It happens all the time.

Ultimately, the best suggestion for a client is to keep an open mind, even when you “know what you want”.

Going through the process

Here are some simple tips to get you through the voice audition process:

• Decide whether you want to request general audition recordings (which mean listing to generic voiceover demos) or if you want the talents to record a customized demo for the audition. While customized auditions are usually free (especially for non-union voice over talent) voices usually want to know a budget range to see if the project is ultimately going to be worth their time to audition for so…

• Establish a reasonable budget for the voice talent’s services and let the talent know what the “range” of that budget is

• Be sure to indicate the type of production it’s going to be: commercial, video narration, voice imaging…and be as specific about details as possible. This will ensure the voice talent can send you the demo that most suits your needs

• Be sure to indicate what format you want the audition to arrive as: MP3, WAV file or mailed on a CD. Voice talents are usually glad to give prospective clients want you want in whatever format you want it

• If you’re going to initially ask for generic demos, make two piles, keepers and tossers:
– The keepers you may ask to audition again with a more specific piece of copy or you may want to interview them, your choice
– With the tossers, while it would be more professional if you created a generic but personally addressed letter politely saying “thanks but no thanks” most voice over talents subscribe to the notion that they didn’t get the job they just auditioned for; which make the “you got the job” call THAT much sweeter.

• If you want a custom audition, make sure you provide pronunciation keys in the script. A mispronunciation is upsetting for the talent and frustrating for the listener

• On customized demos, be ready to hear the same script over and over….focus on listening for script intrepretation, tone and inflection. Don’t focus on the words or you’ll zone out (see the earlier chocolate taster reference).