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It’s really the car dealers’ fault.

Somewhere in a marketing meeting in Detroit long ago, a car maker’s resident ad guru came up with the brilliant (?) idea to present at the national dealer’s meeting – have the owner of the dealership appear in the radio and television ads. Other business owners took note of the trend and figured they’d do it too.

What do I think of the idea?

Two words: New Coke®. Yeah, bad, reeeeeaaaaalllly bad idea. Get past the usually unfair stereotype of a Car Dealer for a second (although that negative stereotype was indeed fostered by dealers appearing in bad commercials, often late at night), these folks are often good managers, good salesmen and good people but they are rarely good spokespeople.

Oh, it worked once in the eighties but even when Chrysler recently resurrected Lee Iacocca to pitch cars again, it was simply not good (Iacocca playing golf with Snoop Dog dressed in pastel argyle?! That’s brain numbing on so many levels that we’re all lucky our eyeballs didn’t roll up in our heads and stay put!)

But it’s memorable, you say? So is a kidney stone but, not in a good way.

It’s the same note of severe caution I would offer to any business person looking to appear in a radio or TV ad. No matter what your TV or radio account executive tells you, it might not be the best idea to be your own spokesperson if you really don’t have the performance skills to pull it off.

What do you have to lose, you ask? How about your professional credibility and your reputation?

Example one: You come up with a concept to appear in a television commercial for your company that features you either “acting”, or dressing up in a silly outfit or behaving in a way that is out of character for you. The spot may be funny and memorable but likely not in the way you intended and not in a way that builds sales (which is why most of us advertise anyway.)

Example two: The business owner decides that he wants to be the “announcer” for his own radio commercial. Fine, except he speaks in a low monotonous cadence or she has a squeaky nasally voice. Neither is likely to encourage listeners to stay tuned in to hear the message and buy the product or service. Yikes! Those folks should never be featured in commercial except in extenuating circumstances.

There are no doubt many talented business owners who have great communication skills and look good on camera and will serve as terrific company representatives.  But that’s NOT everybody and a truly smart business person will “know when to hold ’em and know when to fold ’em” when it comes to picking a spokesperson or talent for their spots

Tags: commentary, commercials, radio, tv, voice actors, voice casting, voiceover advice by peter k. o'connell, your friendly, neighborhood voice-over talent
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Jack Nicholson
 
Michael Douglas
 
Demi Moore
 
Julia Roberts
 
The story goes that Jack was offered over a million dollars by a U.S. car company (or more properly, its ad agency) to simply do a voice over for a commercial some years back.  Supposedly he turned it down. Michael Douglas did not (although it seemed Douglas’ fee wasn’t so high).

She was an attractive actress as many were and are on soap operas but when Demi Moore was on General Hospital in the 80’s, what made her stand out more than her looks was her voice.  Keds noticed…so did Oscar Mayer.
 
And when America On-Line decided to slant their logo, round their typeface and freshen their post-merger image, they called on America’s most famous actress to help build membership. A fairly pregnant Julia Roberts surely covered the twins’ college expenses with her AOL voice over.
 
But bottom-line, what’s the value to the client paying the voice over bill?
 
Well, it depends.
 
And hadn’t commercials long ago become un-cool for A-List celebrities?
 
Um, sort of.
 
But what about the everyday announcer who doesn’t act in movies or television?
 
It’s just a few more swimmers in an already overcrowded pool, I guess.
 
The Value of Voice

There are no two ways about it; a celebrity endorsement can help build brand awareness…whether the celebrity is in front of the camera or behind the microphone. But for realistic brand and selling impact, the celebrity tie in must make sense…either by cutting through the clutter with a celebrity’s unique qualities (looks, sound, image, reputation, etc.) or by some sort of logical or direct tie-in with a product (a quick example would be a golfer endorsing and pitching golf products and/or apparel).
 
Does Demi Moore serving as voice talent for a TV spot for Keds women’s sneakers cut through the clutter? It did in my case…I didn’t think of her looks when I heard the spot…but her voice truly cut through the advertising clutter…it’s up to Madison Avenue to tell me whether women bought more sneakers because they “bought” Demi’s voice.
 
On the other hand, if the concept was that “America’s Sweetheart” would tie-in well voicing spots for America On-Line (America’s Sweetheart/America On-Line…get it?) it was lost on me after the initial “shock” value of having realized Julia Roberts provided the voice over. Somehow it made me think I was already paying too much for AOL’s service and now, if AOL had to pay Julia (a lot, I surmised), I was going to end up paying more for AOL. That didn’t make me want to stay an AOL subscriber. And I have nothing against Julia Roberts.
 
Are Actors Cool, Uncool or Just Trying to Pay Bill Via Voiceover?
In the old days, celebrities were expected to serve as pitchmen and women and accepted. Heck even newsmen did on-camera ads (Paul Harvey is the modern endorsement exception to what used to be a broadcasting news given).
 
More recently, it seemed un-cool for celebrities of any stature (fleeting as that stature always is) to appear in commercials…at least in the U.S. Brad Pitt has even done commercials recently….overseas. However, via voice over, celebrities can offer tacit endorsement of a product without actually being directly associated with it…it takes a trained ear to catch some of the relatively well known celebrities who are heard on commercials nowadays.
 
But hey, not all performers are really well known or always employed. When I hear David Duchovny pitching Pedigree Dog Food or Corbin Bernsen hawking Chryslers I think these are just folks trying to pay the mortgage between acting gigs…I bear no malice towards them for trying to make money.  But does such commercial work gel with their more artistic, less commercial endeavors? Should Fox Mulder really push puppy treats? I’m just asking!
 
The Poor Slobs Leftover

So what does the future hold for the rest of us (yes, me too) voice over artists in this growing circle of celebrity commercial voices? Well, whether or not we’ll need to wear shades, I see the voice over talents’ future as bright.
 
If a celebrity has the right voice for a spot then a producer will pick him/her…especially when it’s the voice and not the “celebrity” aspect that won the job. Kathleen Turner could easily become a voice over millionaire and there are fewer voices more recognizable or more listenable than the ageless Lauren Becall even when selling cat food (Fancy Feast) or discount retailers (Tuesday Morning). A great voice is a great voice and should be appreciated and enjoyed as such.
 
Better news is the new uses of the Internet for communication, marketing and advertising purposes…there’s lots of work for voice over artists who are sharp enough to embrace the opportunities the web presents. Plus, there are always plenty of reasonably well paying jobs around the world for aggressive, talented voice over artists.
 
Celebrities are taking some jobs because some companies need the extra push a celebrity voice can bring…initially. But whoa to a celebrity voice over that doesn’t positively impact sales and only results in a higher advertising expense lines…then even the most “in the moment” celebrity will become an “Apprentice” (i.e. “You’re Fired!”)

Tags: character voices, commentary, commercials, narrations, radio, tv, voice actors, voice casting by peter k. o'connell, your friendly, neighborhood voice-over talent
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