Entries Tagged as 'tv'

open casting call for Late Night With Jimmy Fallon announcer (very unofficial)

jimmy_fallon_late_night_nbc

Whether this becomes an out and out holiday tradition here at audio’connell’s voxmarketising remains to be seen but suffice it to say I’m at it again.

Based on the enormously popular Unofficial Casting Call for the NBC Nightly News announcer, I am today kicking off the Unofficial Casting Call for the Late Night with Jimmy Fallon announcer job.

Some points of difference between the two casting calls:

1. The Nightly News audition was in response to what I (and many others) felt/feel was a poor performance by a certain actor (who otherwise is very talented). For the Fallon casting call, I have no knowledge of the new announcer’s (Steve Higgins) ability (which I’m sure is great) nor should this thingy we’re doing here be seen as an indictment of his talents…I wish him great success. This is just for fun and nobody here will be getting the Fallon show job.

2. NBC Nightly News had a well known theme. Late Night with Jimmy Fallon has a house band, The Roots, but no theme song that I know of yet so I grabbed a Roots song (“Here I Come” all rights reserved etc.) and edited into a strictly demo theme sample. The music should open up some creative voice imaging opportunities for participants.

The directions to participate are simple and straight forward:

A. Download HERE the demo only theme song (complete with cheering audience to get you into the late night feel)

B. Here is a script (again demo only):

From NBC Studios in New York, It’s Late Night with Jimmy Fallon.

Tonight Amy Adams (slight pause) Eddie Izzard (slight pause) and musical guest John Legend

With The Roots

Now here’s your host: Jimmy Fallon!

C. Record your version mixed with the demo theme (note: you should have your audition finish at about :30 seconds into the theme as you’ll note I brought the audience cheering up. If you hit it right it will sound like he just walked out after you said his name. Also remember there would be graphics and likely some animation as part of the intro too.

D. Email it to peter at audio’connell dot com. MP3 file only. File name: YOURLASTNAME_Unofficial_Fallon_Audition

E. I’ll allow submissions until it becomes tedious or boring. Only one entry per voice talent, please.

>>> HERE is where you can LISTEN (but NO voting yet) to all the entrants <<<

Here’s my example to give you a general sense of timing but PLEASE do it with whatever pace and vocal performance style you’d like. Mine is just one way, not necessarily the perfect way.

DEMO EXAMPLE

[audio:http://www.audioconnell.com/clientuploads/mp3/Late_Night_Fallon/OConnell_Unofficial_Fallon_Audition.mp3]

How a winner will be chosen:

i. I’ll get between 3-5 people to serve as judges to pick the top 10 entries
ii. From there I will open up the voting. Don’t vote until I open the voting….I’ll delete any voting posts until I write the “voting is open” post
iii. As for prizes, I got bumpkus. Maybe we’ll get an angel gift giver or someone who wants to re-gift some holiday present, we’ll see.

Anyway, have fun and Merry Christmas. Let’s hear your best stuff!

If you just want to listen to the audition “bed” here it is:

“what people say they want, and what they are actually looking for.” – dick tufeld

dick_tufeld

There is occasionally downtime in the voice over world of audio’connell Voice Over Talent. While I should say that I am always marketing or developing new business when the mic isn’t on, well, that’s not always true.

Sometimes I surf. And not on water.

But a recent surfing expedition (which really was a key word search on Google) led me to a 1997 interview on a “Lost In Space” website with a fairly well known announcer by the name of Dick Tufeld. Dick was the voice of “The Robot” in the series “Lost In Space” and reprised his role when the movie came out. (And, if you like, there seems to be another interview with Dick here).

Dick’s career has spanned a great deal more than just “Lost In Space”. I remember him as a long time announcer of the Grammy’s among other shows (his signoff that I remember was “This is Dick Tufeld speaking”). I can’t find too much present day information on him to know if at 82 he’s still working, other than some somewhat suspect web sites that I cannot confirm as credible.

But what I loved though, from the 1997 interview, was this quote, telling a story that almost every professional voice talent can relate to and laaaughh!

Q: How did you get the voice job of the Robot?
Dick Tufeld: When I was 18 years old, I was working one summer at KLCA-LA radio, and I used to announce shows and do station breaks, etc. There was a literary agent named Irwin Allen, who must have been, I’m guessing, 35 years old at the time, who would walk in and nod to me, and I’d nod to him — I was just a kid at the time. He had a Hollywood gossip show, and I’d spin the theme music for it and announce him, for 15 minutes once a week. Then he’d leave and nod to me, and I’d nod to him. That was the extent of our conversation.

Twenty years go by, and he was walking out of the commissary at 20th Century Fox and there was a guy named Emmett Labry, Jr. who was in the business affairs department. Irwin ran into Emmett and said that he had a new series going on air in a few weeks. “We need a narrator and is there anybody you can think of?’ Emmett was a friend of mine, and said “How about Dick Tufeld?”

In one of the most astonishing statements I’ve heard repeated to me, Irwin turned to Emmett and said “Dick Tufeld, my oldest and dearest friend — great idea!” Which I think is pretty funny. Irwin contacted my agent, and they got an audio tape of my voice doing some narration. Irwin liked it and I became the narrator of the show.

About two weeks later I got a call from Irwin’s office asking me to read for a robot character. So I go in there, and think this is good. He hands me some copy, and I say “Irwin, I presume what you are looking for a mechanical, robot-ian kind of robot sound.” He looks at me and says “My dear boy, that is precisely what I do not want. This is a very highly advanced culture in the year 1997.” Of course that seemed to be very far away to everybody [chuckle]. “I want a cultured low- key voice, (I would equate this with the voice of computer Hal in “2001”), an Alexander Scourby” — the wonderful NY actor and narrator voice who has passed on – and he said “that’s what I’m looking for.”

So I started reading for Irwin with my best Scourby imitation, and I’m not coloring the words and I’m doing an unemotional read and I’m saying “Warning that does not compute.” He says no, that’s not it, and I do it again, and then he says no, that’s not it, and I try something else and that’s not it. All this time I’m trying to do my best Alexander Scourby imitation. And he finally says to me, after about 10 minutes, “Well Dick, I appreciate you coming in. To be honest with you, you’re not getting this, so I have to look further for this. But you’re still the narrator on this show.” And I say to Irwin, “Thank you very much.”

I take my reading glasses off and start packing up my attaché case. And God knows why I even did this. I say to Irwin, “Let me try one more thing for you just before I go.” And now I read the line in my best mechanical, robot-ian kind of way and I say “Warning that does not compute.”

And he says “Jesus Christ, that’s the Alexander Scourby approach I was looking for, what the hell took you so long?” Honestly, I had to literally turn away from him, so as not to laugh in his face, because I was so convulsed.

It was the classic example of what people say they want, and what they are actually looking for. They are two different things. In a sense I was *very* fortunate to become the voice of the Robot, because if I had not said “let me try one more thing” as I was walking out obviously I would never have been the voice of the Robot. It was a kind of a fluke the way it happened.

That IS a classic and oddly timeless truth that makes me smile, knowing the challenges of today in voice over aren’t actually that different from those great talents who paved the way for us.

Thanks Dick. Love your voice, love your humor!

a trend that impacts your salary

downward_graph

As this blog is “where the worlds of voice over, marketing and advertising collide” I try and make sure individual posts cover one or more of those areas each week. This post covers all three.

If you earn your living as a voice talent, a marketer (for your own company or on behalf of someone else) or in advertising (either for yourself or someone else) there is a trend developing that you need to think about. Why?

Because it affects how much money you’re going to make in the future. Think mortgage payments, new cars and education.

With me now?

Double click on the chart below and then click back for some thoughts.

Newpaper, Internet Trends via Pew Research

That chart is part of a much more in-depth study produced in August, 2008 by the Pew Research Center for People and The Press. Maybe its stuff you thought was happening and maybe it even reflects your personal changes. But this is now quantifiable. And that means a lot to how we all make our livings. Pay attention:

You have just read a 15 year trend in media usage, specifically how people get their news.
* 24% fewer people in that time period get their news from newspapers
* 12% fewer people get their news from the radio
* 31% fewer people watch the nightly network news
* On line and cable news consumption is through the roof

This is about more than just news, I think. This is a game changer for people who work in media (including voice over), marketing and advertising. Most are dealing with this and thousands of pages of similar data already but I’m guessing you may not be, so let us ruminate for a moment, shall we?

Let’s just for the sake of this post take out concerns of the bias of cable news outlets as it affects their presentation of the news to the growing majority of American cable news consumers and how that impacts how people think, act and vote about issues of the day. Great topic and just considering it gets your head to throbbing but back away from it just for this discussion.

Let’s do say you’re a voice talent and you’ve been charging $200 for a :30 second commercial on local broadcast television and $150 or even $100 for cable TV spots because there are fewer viewers. Survey says that number is changing a bit (though broadcast ratings are still higher). Should you consider changing your cable fees? Is that change justified? Survey says maybe.

Let’s say you’re in advertising and you’ve been specializing in print ads which mostly go in newspapers or you’ve been doing lots of radio spots on news talk stations. Shouldn’t you at least reconsider either your primary business services or your media recommendation to clients? Survey says it’s probably worth some brainstorming.

Let’s say you’re in marketing for a grocery store and you do weekly inserts with specials and temporary price reductions and the like. Has coupon redemption gone up or down on those inserts? Any reasons you know of for a change? Survey says maybe.

Let’s say you are a consumer that can be influenced by commercials you see on cable TV, print ads or weekly grocery store inserts (we’d all like to say “not me” but we’d be lying). Could your buying habits be impacted by this change in media usage? After all, you’re the one changing the usage. What if you’re not finding out about all these new special offers because the media vendors haven’t changed their marketing plans for their clients? Clients whose products you normally buy or would consider buying.

The point is not that any of these industries need to play catch up because that’s what we’re all doing everyday anyway. A trend arises and we react. Tuesday go left. Wednesday go right. Thursday is too far away to consider.

The point is to be aware that there are very specific changes in media usage. This information is but one small part.

But do you comprehend the change? Do you even feel it, maybe? Is the change impacting the way you do business? Should it change the way you do business?

Is it impacting the way you buy things? Does it alter your opinion of brands? Could it alter the opinions of consumers of your brand?

That box below here is where the discussion begins…be a part of it, now. Thanks.

a belated but very deserving birthday wish

Paul_Harvey_ABC_Radio

Thursday, September 4 was ABC Radio broadcaster Paul Harvey’s 90th birthday.

And he is still on the air.

And his ratings are still unbelievable (promoted as “the most listened-to newsman in the world”.)

And he is still one of the top paid of ALL American broadcasters.

While missing his dear wife Angel, who died only recently, Paul continues an active although somewhat lessened broadcast schedule.

He is an icon….truly an icon in the world of broadcasting.

Not an icon of radio or TV. Not of national or international work.

Paul Harvey is an icon in the world of broadcasting.

Since you’ve heard him, you know why.

And if you haven’t heard him, listen. Do it now.

Happy birthday, Mr. Harvey. Good day!

this is how my mind works sometimes

carrie_underwood

You didn’t ask but I’ll tell you anyway. I came home and nobody was around so I decided I’d have a little chocolate milk. So over to the fridge for the milk and some (well the way I make it, a lot of) Hershey’s Chocolate Syrup.

And then I start singing the Hershey’s jingle that I have not heard in a billion years but up it popped out of my one good brain cell. No I didn’t recording this particular jingle session. I wouldn’t do that to you.

However, being the age of the internet I decide I should go look for the spot and darned if I didn’t find it. So as far as you know, this is what I sounded like when I was singing the Hershey’s jingle.

But then there was something on You Tube about Carrie Underwood and Hershey. Turns out she has an advertising agreement with them and did spots promoting a bunch of their candy brands and a t-shirt giveaway.

I won’t editorialize on how brilliant it was to tie in a young but widely respected American country singer to revive old jingles and who looks Great (note the capital G) in t-shirts but I’ll let you judge for yourself as I have to go out and buy some chocolate bars.

the fcc – the failing communications commission

janet_jackson_justin_timberlake

Common sense has never reigned supreme in the corridors of Washington, D.C. because playing protectionism politics is always more fun. And then there’s the option of making something out of nothing. The folks over at the Federal Communications Commission have proven themselves devoted practitioners of both games.

All because of a couple of radio networks and Janet Jackson’s boobie. Let’s just pause for a moment because I never thought I’d have to write that word (and I can only hope I spelled it right).

XM AND SIRIUS
On February 19, 2007 satellite radio company competitors XM and Sirius announced their intention to merge. The marketplace does not need (at this juncture anyway) two services. There is barely enough audience for one to survive.

The FCC usually takes about 180 days to review such a motion and render its decision. Today, it’s rumored that a commissioner will cast the deciding yes vote to approve the merger…maybe. It’s been over a year since their review started and it’s not done. The National Association of Broadcasters are wetting their pants in fear of the merger and lobbying like heck. Senators and Congressmen who are just now discovering the FM radio band continue to offer their opinion on why it should or should not go through.

By the way, you are paying for all this grandstanding. You sitting there reading…you personally paid for all this baloney.

I’m not naïve to the fact that there are important legal issues at stake in such a merger but that’s what the six month review time is for. The FCC is teeming with lawyers who should have been able to review the pros and cons, bring it to the commissioners, let them review and vote….in the allotted time. No matter what happens with the merger (which I think should be approved) the Federal Communications Commission failed to execute its duties in a timely, professional manner.

JANET JACKSON AND THE CASE OF THE MISBEHAVING BRA
Maybe it was a corset, a tank top or some other thing that I also don’t understand. The point is that it came off during the Super Bowl’s halftime show and was visible to one of the largest TV audiences of the year (including children) for (according to court documents) “nine-sixteenths of one second.” And as far as how close up the shot was on television, maybe 1/16 of the screen.

Now, if you are like me you probably saw the “incident” on You Tube (no I’m not giving you the link…if you need it that bad you go find it yourself) or some such thing and it seemed longer…well that’s what slo-mo instant replay on a loop can do to your memory.

Whether it was a planned mistake by the performers (asking for forgiveness instead of permission) or a performance mistake it was a mistake. I’m a pretty conservative guy on most things but to me it was much ado about nothing. It was the constant replays on the web and on news shows that made it a story and then an issue and then the FCC got involved and botched the whole thing.

Government inquires, depositions, testimony, committee meetings all to fine CBS $500,000. And a Federal Appeals Court just slapped the FCC upside the head, throwing out the fine saying the FCC didn’t follow its own rules properly so their fine was illegal.

Do you want to guess how much money was spent by you and I, our tax dollars from our earnings, on deciding on that fine and then getting it over turned? I don’t know but my low estimate is about 5x the fine amount when you work in the salaries and legal fees.

It seems the FCC is hapless and we as its bankers are helpless. I don’t like that, do you?