attention guidance counselors: on-air careers in radio are very dead
If you know the medical or psychological term for the feeling you get when you watch a function or service or job you really have an abiding passion and respect for just be ripped apart agonizingly slowly and painfully, please let me know.
Because that’s the word I would use to describe what all voice talents and on-air radio staffers have been feeling watching radio’s long enduring death spiral. I think we’re closer to the last third of the spiral than the first third of the spiral now though. The money is really running out for broadcast companies.
Not to harp on all the reasons most of us in the business know about but in case you don’t, radio listenership and usage is way down, that brings down ratings and advertisers won’t pay for a less useful marketing channel. The competition in the media world is too big. And radio companies over paid for their properties and are saddled with mind numbing debt.
Sales people (many of whom are hired as a first job out of college and are directed to a telephone and a phone book and ordered to “sell!”) aren’t coming up with the ad dollars.
The biggest line item in every budget is salaries. And the first people to get cut (excluding sales people but that’s always been a revolving door) are the on-air talent.
Clear Channel fired Rocky Allen at WPLJ and John Gambling on WOR both powerhouse stations in New York (the latest examples). Less known (but not necessarily less talented) names continue to be felled by HR in markets across the country. No one is safe and most sad of all is that the audience seems indifferent to the loss. There’s a full body paper cut for you.
I haven’t been on the air in years but it still remains one of my most favorite jobs. That and production director for a radio station. It was creative, it was fast, you interacted with the audience….that was a gift. If you’ve worked in radio, didn’t you feel the same way?
Sure, pay was lousy and you worked with a few idiots. But I have yet to see a job that didn’t have those issues…even now and I own my own companies!
But much of what was great about radio for those of us on air has changed. More syndicated programming covers our local airwaves with names like Delilah, John Tesh and Ryan Seacrest. Bland, awful stuff. But it costs less than local, real bodies running the board at your station.
Maybe I’m the only one who notices all this and who cares but if I’m not, I really would love to get your take (short or long) on all this. Angry? Resigned? Saddened? Frustrated? Past it? Let me know. Thanks.
