Entries Tagged as 'radio'

“…only to a certain degree.”

Voice over talents are independent contractors who do one-off jobs as well as long-term contract work. While we market our work to prospective clients via advertising and tools like social media, truth be told, most of the world doesn’t know we exist or really what we do for a living…except talk.

And in our collective business model, that’s as it should be…our job is a behind-the-scenes deal.

For one voice talent, that changed this week. And I have a sense that this change will have some repercussions within the industry…I am pretty sure at the very least it will spark discussions.

While it is a long story, I will try and briefly summarize it as it was told on the blog of voice talent D.C. Douglas: he states that the lobbying firm, Freedom Works, encouraged supporters of the Tea Party movement to get D.C. fired as the national voice talent for GEICO Insurance. D.C. says that is because he left an agitated voicemail (with his contact information) for Freedom Works regarding slurs Tea Party participants made about Rep. Barney Frank during the recent Congressional health care vote. Evidently Freedom Works and the Tea Party movement are aligned in some organizational way. As a result, D.C. has not been retained as a voice talent by GEICO.

I do not know D.C. Douglas, I do not believe I have ever spoken to him and I doubt he knows me either. But his was a pretty large voice over deal on a national advertising campaign for a very large American company. And now because he expressed his opinion (in what he infers was a regrettable manner) to a group that used their professional connections to get him fired, he lost a contract.

More to the point, because of his expressed opinions, he as a voice talent was dragged out from behind his major client’s curtain, thrusting both himself and his client onto a public, political stage neither was expecting to be on…or ultimately wanted to be on. The result was his client dismissed him. To his credit, D.C. Douglas inferred on his blog that he fully understands and accepts GEICO’s position.

It seems to me that the overarching question in all this is: do voice talents, who speak for a living, enjoy the right to free speech outside the booth?

In my opinion, the answer is yes – but only to a certain degree.

Voice talents are just as bound to and protected by the United States Constitution, its Bill of Rights and our country’s laws as any other American citizen. Voice artists have opinions and we share them as we see fit.

But it is the content of those opinions, how we express them and where we express them (the “as we see fit” part) that elicits my “only to a certain degree” opinion.

Remember, usually, a voice talent is an anonymous entity in the world except to those who need to hire voice talents: advertising agencies, television and radio stations and businesses may need a professional voice for their clients or themselves.

Their primary objective is to find a voice that suits their script. The voice talent is only one cog in a big marketing/advertising wheel and these producers – while caring about a “voice” very much – also have other things to do and deadlines to meet.

When hiring any project, if a voice talent is considered egotistic, poorly prepared, unprofessional or difficult to work with in anyway, they’ll move on to their second voice choice rather than deal with the headache of their “difficult” first choice.

As far as I know to this point, D.C. Douglas has no such negative reputation and his voice resume would seem to support my understanding.

But like it or not, what D.C. now faces is a very high profile examination of his personal and political beliefs by people who have yet to hire him. Whether his beliefs are right or wrong to me or you isn’t important…unless “you” are the one doing the hiring you happen to disagree with D.C.’s opinions – D.C.’s beliefs now may precede and even supersede his professional voice work, in a producer’s mind. It’s a reality he now must face because he chose to share his political beliefs in a public forum in an aggressive way with an equally passionate, politically opposite but clearly more influential group whose tactics are aggressive.

“…only to a certain degree.”

His name, his brand may be sullied in the eyes of some potential employers – and he’ll never know it, they will never speak of it to D.C. and his agents…these potential employers will simply move on to their second voice choice.

“…only to a certain degree.”

It doesn’t mean his voice over career is over…it may mean that the pool of options may be lessened. Conversely, there may be companies who didn’t know of him before hand, agree with his beliefs and hire him because of them. But it is an unknown that D.C. will have to live with for a while until he sees how this all shakes out… his voice over checking account will provide the final results.

“…only to a certain degree.”

I don’t think it’s too far fetched to say that D.C. Douglas didn’t see all of this coming with one, poorly worded, heat-of-the-moment voice mail message. His beliefs are his own and as such are not right or wrong – they are his and he is entitled to them.

“…only to a certain degree.”

But politics can be a dirty and dishonorable business, even among those who enter it professionally with the best of intentions. The best intentions of lobbyists are based on serving and accomplishing the political goals of those who hire them. Whether that system is right or wrong matters not to this discussion – those are the understood rules of the pool that D.C. Douglas dove into, heart first, in his voice mail.

Now, he will have no choice but to live with the courage of his convictions (which is not a bad thing), a choice I don’t think he understood he was making when he placed that call. But it is a situation that he and I think all voice talents may have thought about, at least a little bit, at one time or another in their professional lives.

The question for voice talents now is this: What is your “certain degree”. At what point would you risk having your brand overshadowed publicly by your personal beliefs? Or would you handle how you promote your beliefs differently.

There are no wrong answers as I see it – only the right answer as decided by each individual voice talent. I look forward to your opinions.

jingles – smooth jazz jingle from tm studios

I can’t recall if we’ve been given a name but if we have its probably something like a jinglephile – people who love jingles.

Whether an advertising jingle or a radio station jingle, if it’s good I’ll hum it and play it forever. It started back when I started in radio in 1982…I used to go into the PD’s office and listen to all the new demos. There are now message boards and web site’s all over the place filled with wackos like me…obviously all brilliant and talented people 😉 .

I don’t collect these jingles like some folks but I know the ones I love. There are some commercial jingles here in town that I’d probably voice for free because I’d just love to have my voice on those jingles. Of course I’d snap into invoice mode when the negotiations started, fear not!

I bring this up because I found myself at the TM Studios web site recently. I go to most of the jingle websites and listen a couple of times a year to hear what new stuff they have.

This time I found a smooth jazz radio station package that may have been around for a while but we don’t have that format any more in Buffalo. But the package’s first cut is just terrific and I thought I’d play it for you here to hear. This is the 40 second version. I love the singer’s voice and the use of the flute.

Smooth Jazz Jingle Package from TM Studios Cut 1 (:40 secs)
[audio:http://www.audioconnell.com/clientuploads/mp3/jingles/TMStudios_SmoothJazz_Cut1_40sec.mp3]

‘we are the world’ in its purest form (this is social media)

Back in 1985, when I was working at WVUD-FM in Dayton (now WLQT), CBS Radio affiliates were given early access, via network satellite, to “We Are The World” before records (yes records) got mailed to stations. WVUD as a CBS affiliate could download it and as production manager, that’s what I did, running the cart down to the on-air studio so Pat Haverland, our midday guy, could be first to air it in the market; he did and we were.

So the song has always had a special place within me…and (for different reasons) just about everybody else.

I will grant you that 25 years ago and then again this year, the professional singers who participated in the recordings had the best of intentions and indeed turned in fine performances.

But when I saw George Whittam’s facebook posting of this very unique video of a less famous rendition, it made me think that maybe this was how it was supposed to be performed in the first place. Social media done extremely well? What do you think?

requiescat in pace justin kaiser

<em>Justin Kaiser</em>

Justin Kaiser

Some sad news for voice over and social media folks.

You may or may not have had the chance to interact with voice talent Justin Kaiser. I did, on-line, and he was a very pleasant guy with talents in a multiple of disciplines: voice over, social media, marketing.

I was terribly saddened to read on the VO-BB early this morning that Justin had died. While I am unable to find an obituary to link to at the moment, there is some info on the VO-BB link above. The WGFA radio web site (where Justin was Operations Manager and Morning Show host) indicated at the time of the post that Justin was suffering from complications following surgery around Christmas time.

While I am unsure how long his family will keep up his web sites, for the time being I think all you need to know about Justin and his family is found in this video that Justin recorded as he and his wife Diana hopefully mailed their adoption paperwork. Watch, listen and remember with a smile.

P.S. Here is a link the WGFA Radio fan page on Facebook, where you can also leave a message. We’re not bound by zip codes anymore.

the jingle news show

jingle_news_logo

There are many reasons I am odd in spite of my usually relatively composed demeanor:

* There are certain restaurants (many actually) where I always have the same thing everytime I go there. This makes some people in my life nuts because of my sameness and my disinterest in cooking

* I am fascinated my many aspects of design but I have always been fascinated by TV set design (side note: great web site here about set design). This fascination is especially odd because I am not handy at all…I couldn’t build a bird house let alone a news set.

* Finally (at least for this current list) I love jingles…commercial jingles, TV network promo campaign jingles and especially radio station jingles

Now maybe this last oddity is a hazard of my bidnez but I have always been drawn to it. I have collections of reel to reels and cassette demos of radio jingle packages from all the major companies and to this day I still have book marked sites for TM Studios , Jam Creative Productions, Reel World, M-Edge (which used to be N2 Effect), Studio Speak and others.

Prior to the internet, I thought I was alone in my enjoyment of all things jingle…but I am not.

There is a blog and podcast for us jinglephiles or jinglites or jinglonians (or what we’re supposed to be called): The Jingle News Show hosted by Stuart Barret with voice imaging for the show done by friend, voice over great Bob Taylor. It’s an especially cool show because it features radio jingles from around the world. I may not understand what they are saying by I like the musicality of many of them.

There are probably more but right now this is the one I subscribe to so if you’re interested, there you go.

If not, well, I am sorry but I can’t give you those wasted three minutes of your life back.

“we’re all starving, so be quiet…”

no_money

So my voice over compatriot Rich Brennan in New York observantly posted on the Yahoo Voice Over Message Board an ad he saw recently on Joel Denver’s truly great radio webzine (recently and beautifully redesigned) All Access.com (the following ad is no reflection on Joel, or his fine site at all):

Need 2 male voices-Ages 30-50
Production company looking for male talent ages 30-50 to do voiceovers for small and medium market radio and t.v. Must have access to a professional studio Mon-Fri and be available at least one hour per day. We pay $7 for each dry unedited v/o regardless of length. (One word, one line, :15, :30 or :60)Please send :60 unpolished raw demo to voice4radio@comcast.net.

No professionally mixed demos. They seem to be rather misleading.

Deadline to submit demos is October 8, 2009.

Rich added this resonating comment:

SEVEN DOLLARS????

I agree…that fee is absolutely insulting; a reflection of how poorly some people view what voice talents do professionally. So I decided to respond to the ad in my own way. This is my complete,and I thought, fairly restrained response:

—– Original Message —–
From: “Peter K. O’Connell”
To: voice4radio@comcast.net
Sent: Thursday, October 1, 2009 7:50:30 AM GMT -06:00 US/Canada Central
Subject: VO needed

$7.00 per voice over?

I hope your employer offers you more professional compensation than
you are proposing to the voice over community in your ad.

peter k. o’connell :: audio’connell voice over talent
+01 716 572 1800 :: www.audioconnell.com

Hurling insults back when you’ve been insulted didn’t work in the school yard and it doesn’t work now so (as those who know me will agree) my response was tame even by my own standards. I thought just by offering a little perspective that this might let this person know that the fee was really bad.

And I did get a response, albeit unsigned, (which I’m assuming is because of this producer’s shame for lowballing this job):

> From: voice4radio@comcast.net
> Date: October 1, 2009 10:27:26 EDT
> To: “Peter K. O’Connell” > Subject: Re: VO needed
>
> Hahahahaha…listen sweetheart…we’re producing these ads for $15 for small market stations who can’t afford $150 spots..nor do they have the staff on hand to do their own production..so the next time you wanna be a smart ass, think before you speak..$7 is definitely enough for our talent. And since I posted this ad yesterday at 5pm..I’ve received hundreds of demos from guys who are fine with the ‘compensation’..These are people who manage their own production companies, who work in large markets and have incredible voices..(they’re just wanting a little spending money on the side)..like the rest of us. And these days, in radio…we’re all starving, so be quiet..

Which was followed up by his/her second response (still anonymous of course):

> From: voice4radio@comcast.net
> Date: October 1, 2009 10:34:40 EDT
>
> To: “Peter K. O’Connell” > Subject: Re: VO needed
>
> PS…Yeah, I checked out your website..You’re ‘one of those’….(I won’t comment..I’ll just leave it at that)..lol..

Because I’m really not sure what this person meant, I’ll have to assume that “one of those” means “professional voice over talent” or “someone who actually makes money in voice over”. It’s true, I am “one of those”…oh the shame I bear!

Are there people in the voice over industry or radio who are so desperate to put food on the table that they’ll gladly take a $7.00 voice over job (which, minus the 5 cents for printing the invoice and getting an envelope and an additional 44 cents for postage actually only equals $6.51)?

Possibly as no one is immune despite their best efforts, but I doubt any true starving is going on within this circumstance. Even if it were, most media professionals I know would be smart enough to know that they could easily avoid starvation by grabbing one of the many minimum wage jobs featured in the paper each week. Is it an easy living? Heck no but it’s a more realistic financial opportunity than snatch and grab voice jobs.

I think any responses this anonymous “producer” received were more likely responses from people WANTING to be professional voice talents or PRETENDING to be professional voice talents. Since it would seem quality is not a requirement for these producers or obviously the client, then those folks might indeed grab the glory of that $7 spotlight. But they are so sadly devaluing their professional worth (even as a newbie) for such a gig.

It’s a hard, long road ahead for these folks if they think they’ll create a career, let alone a professional reputation from $7 jobs. It’s their decision but I do feel very badly for them and they might not fully understand why.

I know, however, how much I don’t know. Mine is not the only opinion on this producer’s position (or that of the voice talent willing to take a lowball gig.

So tell me your thoughts…it’s OK to disagree with me; just provide your prospective. Or if you agree with me, your perspective is also welcome.

Is my logic flawed? Am I being an elitist?

Discuss.