Entries Tagged as 'voice casting'

don lafontaine voice-over lab at the sag foundation

Voice Over Master Don LaFontaine

Most folks in voice over are aware of who Don LaFontaine was and what an enormous impact he had on our industry. He was our public face and best of all our public voice.

Don’s friends and fellow voice talents Joe Cipriano and Paul Pape have been the leaders in establishing the Don LaFontaine Voice-over Lab inside the Screen Actors Guild Foundation. This will create a studio where union talents can attend classes and record free of charge. All this in recognition of Don’s legendary generosity to other voice talents.

I’m not a Union voice actor presently so I can’t use the facility…so why will I financially support it? Why am I asking you, my readers, to do the same?

Because, as Don knew and showed through his actions, it is the right thing to do.

For the full catalog of promotional videos promoting the Don LaFontaine Voice-over Lab inside the Screen Actors Guild Foundation, please visit the always enjoyable blog of George M. Whittam but in the meantime here’s a video of support for the Lab from one of Don’s very satisfied customers, Entertainment Tonight.

school is in session

A couple of pings to my email box to pass along if you are so inclined:

Marice Tobias has announced her spring sessions for her “The Shift” voiceover training for commercials and narrations.

– St. Louis, MO – the weekend of May 15th

– Washington, D.C. – the weekend of May 22nd

– New York, NY – private sessions from May 24th – June 1st.

For information on Marice’s events, contact Stacey Stahl at 503-246-2239.

Pat Fraley is presenting “Making the “A” List: An Acting for Voice Over Event” featuring Pat, Ed Asner and Scott Brick on Saturday, May 22nd at World Famous Buzzy’s Recording in LA. To secure your spot call 818-400-3733.

I have been taught by both these individuals and while both have issued restraining orders against me because of my lack of performance skills (the way the both individually screamed “don’t ever back here” was kind eerie) , I’m sure you’ll fair much better. They are great teachers.

new announcer for the cbs early show

With the switch to HD, networks and local stations are not only sprucing up their sets (and their talents – make up doesn’t work the way it used to), they are also updating their graphics package.

So Monday, CBS’ Early Show did just that…complete, I’m advised, with a new announcer.

I am open to correction but it sure sounds to me like the lovely and talented Mr. Beau Weaver scored himself another network gig. Sounds great to me.

great direction

Andre, Greg and John at Babble On Recording Studio in Minneapolis have published a fairly unique blog post that I think is worthy reading for producers, clients, engineers and voice talents.

I don’t know these fellas, I just subscribe to their blog – I’m also pretty sure they don’t know of me.

As engineers in a recording studio, and no doubt as producers themselves, they participate in a great many voice over sessions with clients or 3rd party producers. Some of these sessions don’t go well because the communication between the producers and voice talent doesn’t seem to click. If you’ve been in the VO business any length of time, you’ve likely been directly involved in one of “these” sessions – as the talent, it can resonate in your head for days.

What Babble On presents in this post are ideas on how to better communicate with voice talent based on ideas and insights from voice talents…what type of direction gives them the ability to offer a better performance.

I thought it was a really great read and terribly insightful. I hope you do too.

Thanks gentlemen.

audio’connell in rochester, ny

I cannot remember if this is the third or fourth time I’ve attended the RAF’s Freelance Creative Expo but I am always glad I do it. While its only an hour away, my schedule is a too hectic to benefit from an RAF membership and it is my loss because they are clearly a membership filled with talented, nice people by whom I am always genuinely welcomed each year. Thanks to the committee members who put on this year’s event.

Why the Buffalo Ad Club can wrap themselves around such an annual event locally is a mystery to me. What an amazing friend raiser.

Which leads to a great surprise I enjoyed at last night’s show…through the throngs can this person with a name tag that said “voice over talent”…it was my on-line VO pal Leslie Diamond.

Male Voice Talent Peter K. O'Connell and Female Voice Talent Leslie Diamond

She had never been to the Expo before and decided to check it out, not knowing I’d be there. I invited her to hang out at my booth/table so she could meet and introduce herself to some of the folks I was meeting. Having lived in Rochester for a while, I think Leslie got pleasantly reacquainted with some great contacts.

Thanks Leslie and thanks RAF for making this year’s show terrific.

“…only to a certain degree.”

Voice over talents are independent contractors who do one-off jobs as well as long-term contract work. While we market our work to prospective clients via advertising and tools like social media, truth be told, most of the world doesn’t know we exist or really what we do for a living…except talk.

And in our collective business model, that’s as it should be…our job is a behind-the-scenes deal.

For one voice talent, that changed this week. And I have a sense that this change will have some repercussions within the industry…I am pretty sure at the very least it will spark discussions.

While it is a long story, I will try and briefly summarize it as it was told on the blog of voice talent D.C. Douglas: he states that the lobbying firm, Freedom Works, encouraged supporters of the Tea Party movement to get D.C. fired as the national voice talent for GEICO Insurance. D.C. says that is because he left an agitated voicemail (with his contact information) for Freedom Works regarding slurs Tea Party participants made about Rep. Barney Frank during the recent Congressional health care vote. Evidently Freedom Works and the Tea Party movement are aligned in some organizational way. As a result, D.C. has not been retained as a voice talent by GEICO.

I do not know D.C. Douglas, I do not believe I have ever spoken to him and I doubt he knows me either. But his was a pretty large voice over deal on a national advertising campaign for a very large American company. And now because he expressed his opinion (in what he infers was a regrettable manner) to a group that used their professional connections to get him fired, he lost a contract.

More to the point, because of his expressed opinions, he as a voice talent was dragged out from behind his major client’s curtain, thrusting both himself and his client onto a public, political stage neither was expecting to be on…or ultimately wanted to be on. The result was his client dismissed him. To his credit, D.C. Douglas inferred on his blog that he fully understands and accepts GEICO’s position.

It seems to me that the overarching question in all this is: do voice talents, who speak for a living, enjoy the right to free speech outside the booth?

In my opinion, the answer is yes – but only to a certain degree.

Voice talents are just as bound to and protected by the United States Constitution, its Bill of Rights and our country’s laws as any other American citizen. Voice artists have opinions and we share them as we see fit.

But it is the content of those opinions, how we express them and where we express them (the “as we see fit” part) that elicits my “only to a certain degree” opinion.

Remember, usually, a voice talent is an anonymous entity in the world except to those who need to hire voice talents: advertising agencies, television and radio stations and businesses may need a professional voice for their clients or themselves.

Their primary objective is to find a voice that suits their script. The voice talent is only one cog in a big marketing/advertising wheel and these producers – while caring about a “voice” very much – also have other things to do and deadlines to meet.

When hiring any project, if a voice talent is considered egotistic, poorly prepared, unprofessional or difficult to work with in anyway, they’ll move on to their second voice choice rather than deal with the headache of their “difficult” first choice.

As far as I know to this point, D.C. Douglas has no such negative reputation and his voice resume would seem to support my understanding.

But like it or not, what D.C. now faces is a very high profile examination of his personal and political beliefs by people who have yet to hire him. Whether his beliefs are right or wrong to me or you isn’t important…unless “you” are the one doing the hiring you happen to disagree with D.C.’s opinions – D.C.’s beliefs now may precede and even supersede his professional voice work, in a producer’s mind. It’s a reality he now must face because he chose to share his political beliefs in a public forum in an aggressive way with an equally passionate, politically opposite but clearly more influential group whose tactics are aggressive.

“…only to a certain degree.”

His name, his brand may be sullied in the eyes of some potential employers – and he’ll never know it, they will never speak of it to D.C. and his agents…these potential employers will simply move on to their second voice choice.

“…only to a certain degree.”

It doesn’t mean his voice over career is over…it may mean that the pool of options may be lessened. Conversely, there may be companies who didn’t know of him before hand, agree with his beliefs and hire him because of them. But it is an unknown that D.C. will have to live with for a while until he sees how this all shakes out… his voice over checking account will provide the final results.

“…only to a certain degree.”

I don’t think it’s too far fetched to say that D.C. Douglas didn’t see all of this coming with one, poorly worded, heat-of-the-moment voice mail message. His beliefs are his own and as such are not right or wrong – they are his and he is entitled to them.

“…only to a certain degree.”

But politics can be a dirty and dishonorable business, even among those who enter it professionally with the best of intentions. The best intentions of lobbyists are based on serving and accomplishing the political goals of those who hire them. Whether that system is right or wrong matters not to this discussion – those are the understood rules of the pool that D.C. Douglas dove into, heart first, in his voice mail.

Now, he will have no choice but to live with the courage of his convictions (which is not a bad thing), a choice I don’t think he understood he was making when he placed that call. But it is a situation that he and I think all voice talents may have thought about, at least a little bit, at one time or another in their professional lives.

The question for voice talents now is this: What is your “certain degree”. At what point would you risk having your brand overshadowed publicly by your personal beliefs? Or would you handle how you promote your beliefs differently.

There are no wrong answers as I see it – only the right answer as decided by each individual voice talent. I look forward to your opinions.