Entries Tagged as 'voiceover advice'

anatomy of a successful cold call by maxine dunn

Maxine Dunn- voice-over artist and on-camera spokesperson

Today I came across an article by Maxine Dunn regarding cold calling that I think is worth your time to read (thanks to Perry Norton for the link).

The only addendum I would add is that more valuable than a cold call is a warm call – having sent some correspondence to your prospect 2-3 days prior and then calling them up.

But in either case, the most important outcome is to get on the phone. Thanks Maxine.

a recent review of the voice over business

David Ciccarelli from Voices.com sent along to me a summary of his company’s past year in business, including how many voice over jobs were awarded, average payments, highest payments and total voice over earnings for voice talent who secured business all through Voices.com.

A couple of disclaimers here: I consider David and his wife Stephanie to be my friends and that both are highly ethical in their company’s operations. I trust what they say to be true and I think they run an above board operation. I have said in the past that if I subscribed to any pay to play (P2P) service, I would immediately subscribe to Voices.com based on their credibility alone. I respect the owners and their company.

I am not a paying member of Voices.com. I do have a free profile page. There is another service in the P2P industry where I had a free listing but I had it removed because I believed that group’s credibility to be so suspect that I didn’t want my name or brand associated with them in any manner. And there are other companies in this category whose reputation also precedes them and also not in a good way.

In short, the “pay to play” voice over business model does not work for me. I don’t believe or financially support any service in which voice talent “pays to play” i.e. pays a subscription to receive auditions. I believe such services lower the rate expectations of potential clients because so many voice talents who swim in the pay to play pool low ball their rates out of what I feel is a kind of sad desperation for revenue of any kind.

The pay to play model negatively impacts the voice over business and its practitioners, in my opinion.

While each individual has the right to run their business has they see fit (even or especially in desperate times), that low balling adversely affects my business and is degrading to my industry. I choose to play elsewhere.

The results of the Voices.com survey are:

  • $39,290,580 in Total Earnings by Voice Talent at Voices.com
  • 155,915 Voice Over Jobs – This figure represents the total number of public, private and direct message job opportunities that have been awarded to voice talent at Voices.com.
  • The Highest Paying Voice Over Job awarded via Voices.com that the company is aware of was $37,000
  • $252.97 Average Payment for a Voice Over Job (among all possible VO job categories): David noted that projects posted at Voices.com range between $100 and $500, thus resulting in average payments of $252.97.

This last figure illustrates my point better than anything else I might say regarding how ALL pay to play services lower the rate expectations of potential clients. I also have a sense that at other services, that average fee might even be lower.

Taking the Voices.com figure ($252.97) though, as a P2P industry average – that figure, I believe, doesn’t reflect what the voice over customer market “dictates”.

I believe it reflects what the voice over customer market “can get away with” with the help of the pay to play (P2P) business model.

There is no filter of voice over quality or talent abilities within the P2P model – legally I don’t think there can be and as a business model I don’t know why the P2P owners would want there to be. Anyone can sign up, pay the subscription fee and audition with P2P companies. It’s assumed that if someone has no talent, that fact will be reflected in their audition submissions and therefore the talentless won’t get the work (survival of the fittest).

But the nasty truth is, regardless of any supposed audition filter or cut off limit a P2P service may ascribe to, the sheer volume of auditions combined with lower average quality of the combined auditioners (note: they ARE talented and highly compensated voice talents in the P2P mix…somewhere…I guess) means that all the power is in the client’s hands – they can smell the desperation in the auditioning herd and they capitalize on it…to the detriment of the voice over industry as a whole.

Think about not just the local or regional radio commercialsâ…but the 10-20 minute narrations, e-learning projects, sales and marketing videos. These long form pieces are a vital part of the industry. Take a minute to do some average calculations on what those fees should be in addition to the local and regional spots.

Then add national commercials, TV promos, radio imaging fees, bigger message on hold projects.

By my calculations, $252.97 is well below what I would expect an overall average fee to be. And for those who would say that’s on par with “my” fee structure or that “I’d” be lucky to get that for a fee, I guess I’d ask you to take a long hard look at your business model. And even dare to say – self worth as a voice over talent.

To mis-quote the old hair commercial, I’d say, “You’re ‘not’ worth it. You’re worth more.”

And for those who’d say it’s none of my damn business – I’d say on that count, you’re probably right. We all have to choose our own paths and mine may not be right for you.

faffcon 2: electric boogaloo regular registration open until 1/31/11

Sure, you can register for Faffcon AFTER tomorrow (Monday, January 31, 2011) but it will cost you more.

So if you are thinking of going…today or tomorrow would be the time to register.

And courtesy of public relations manager for Faffcon and lovely voice talent Pam Tierney, the news for Faffcon 2 is especially good with registration up 30% over the first Faffcon.

Need to know more? Here’s the full press release:

FOR IMMEDIATE RELEASE

Registration Up 30% for 2nd FaffCon Voiceover Unconference

(Los Angeles, CA January 31, 2011) With 4 weeks to go until FaffCon 2, registration for the unconference for working voice over artists has risen 30% over last September’s inaugural event. Participants from 19 states, the District of Columbia and Canada will be attending the February 25th-27th unconference to be held at the Westin Peachtree Plaza hotel in Atlanta, GA.

With a focus on performance, business and marketing, and technology, FaffCon follows a highly-interactive, peer-to-peer learning format. Previous session topics have included performance techniques, setting up and troubleshooting home recording studios, and finding new business.

Presenting sponsor Voicebank.net is once again on board. Voicebank’s VP Stewart Wilson-Turner says “one of the primary reasons Voicebank chose to partner with FaffCon was its demonstration of professionalism and genuine effort and desire to promote constructive dialogue amongst working voice over artists in the industry.”

One of FaffCon’s missions is to leave a positive footprint in each of its host cities by making a donation to a local communication-related non-profit. FaffCon’s organizer, voice over talent Amy Snively, selected Everybody Wins Atlanta as FaffCon 2’s charity partner. “As Voice Artists, literacy is extremely important to us,” Snively says. “Partnering with Everybody Wins Atlanta and their mission to get kids reading, and loving it, is a logical extension of that priority.” A portion of each FaffCon registration fee will be donated to EWA.

Space is still available for FaffCon 2: Electric Boogaloo with regular registration open until 1/31/11. There is limited availability for the Friday Fieldtrip, a VIP tour of the CNN Center and dinner at Max Lager’s with stand-up comic Mrs Hughes performing a live set. Dinner only tickets are also available.

###

FaffCon is a participant driven peer to peer event for working Voice Over professionals. It is an open space unconference revolving around a dynamically generated agenda to share tips, generate ideas and have fun. Unconferences are an emerging way to meet fellow professionals to share ideas and problem solve with others in the trenches.

Launched in 1998 and recognized as the service that “put the voice over industry online”, Voicebank’s voice-over audition system is the most widely casting software on the Web. It is the primary casting and project management tool used by more than 1600 top Ad Agencies, Animation Houses & TV/Film Studios, Independent Producers, Production Facilities and Casting Directors (voice over & theatrical) around the World.

-30-

Contact: Amy Snively, Event Producer
E: Info@FaffCon.com
Pam Tierney, Media Liaison
P: 773-883-9084
C: 312-636-3174
E: Pam@PamtierneyVO.com

terry daniel and dave courvoisier star on voice over experts

This week on Voices.com’s Voice Over Experts, Terry Daniel and Dave Courvoisier discuss how social media and the use of online social networking tools can promote your voice over services and help you to get work.

faffcon savings END TODAY!!!!!

OK look, every since we had kids, I have been a coupon slave. When I was single, I was careless about such things but when you have kids you start seeing this free money via discounts and you realize you’d be NUTS to ignore it since it was something I was GOING TO BUY LATER ANYWAYS.

So the Faffcon2 early bird discount is $169 until midnight, December 31, 2010 – meaning on January 1, 2011 the price will be $199.00.

Using both my toes AND fingers (with a little abacus help) I see that means you can save $30 on your Faffcon registration fee until midnight tonight.

$30 dollars! FREE.

If I put three ten dollar bills in front of you right now and said “take them, they’re free” you’d be pretty happy.

Well that’s what Amy has done. I took advantage of the discount and I didn’t even need a coupon.

I hope you’ll sign up for Faffcon today and join your talented peers (with one notable exception, ahem)

Please understand, I’ve got no financial stake in this event…none of the attending voice talents do…we just believe in the event and know its success is based on having the brightest, most talent professionals in our industry attend and most importantly participate.

The sharing of knowledge, insight and experience, as Doug Turkel has wisely noted, is the very reason for this unconference.

You absolutely can sign up for Faffcon after today and you’ll be very glad you did, but the price goes up.

As the ad slogan once said: “you could pay more, but why?”

I have registered for Faffcon 2

But please don’t let that deter you from registering as well. 🙂

And the Early Bird Registration (read DISCOUNT!!!) ENDS AT 23:59 hrs ON DECEMBER 31, 2010 (which I’m guessing is Pacific Time cause that’s Faffcon founder Amy Snivley’s time zone).

If you are an experienced, professional voice over talent and want to attend a conference that will provide you with unlimited access to the incredible knowledge bank that is your fellow, widely experienced voice talents, you need to attend Faffcon 2.

If you want to attend a conference where no one is trying to sell you anything but rather where your peers freely share information in a comfortable, intelligent environment, you must attend Faffcon 2.

If you feel your career is a bit adrift or you need some nuggets of information to take you to the next level of your professional voice over career, you need to get your sorry ass to Faffcon 2!

Make every excuse to world why you can’t go to Faffcon 2 but for goodness sake don’t lie to yourself. From many folks, it’s not a “can’t”, it’s a “won’t” and their reticence is too bad for them.

Faffcon is low cost with a minimal time commitment and the opportunity to learn as much as you will allow yourself to learn.

I hope you’ll join us in Atlanta. You’ll miss us if you’re not there.