Entries Tagged as 'narrations'

new narration demo

Peter O\'Connell headshot

One of my new agents emailed me to get my updated voice over demos (thank you Pastorini-Bosby). While I was attaching the cuts to an email, it occurred to me that I never properly finished my narration demo update that I had started in May (hey, don’t laugh, paying jobs come first!)

So I spent another two hours to fix some parts and voila (that’s a word my friend Mary McKitrick taught me) here is the finished product:

[audio:http://www.audioconnell.com/clientuploads/mp3/Peter_OConnell_Narration_Demo_081001.mp3]
Click here to download Peter O’Connell’s narration demo!

In it, you will hear that I am:
* tall
* short
* happy
* sad
* confident
* unsure
* serious
* jovial
* thoughtful
* scatter-brained
* newsy
* conversational
* and most of all available for hire as the perfect choice for your awesome narration voice.

happiness is a great voice class

Although I attend all too infrequently so that I can be at home with the growing fam, I am allowed back in to study occassionally with the great teacher and my friend Toni Silveri of The Voice Actor Workshop here in town.

Quick plug: Toni is bringing into Buffalo her long-time friend Pat Fraley on August 16-17 for two classes. The Saturday workshop “The Silly, The Serious and The Subtle” character voice class is full but there are a few spots left for the class I am attending on Recording Audio Books. Contact Toni through All Coast Talent to reserve your spot.

WHY ARE YOU IN A WORKSHOP?!

I was talking with my friend Amy Snively yesterday. She’s a marvelous voice talent in Los Angeles that you’ve probably heard on network shows as a promo voice or as a narrator (her commercial work is cool too). In a wonderfully wide ranging conversation she hit on a theme that that people have brought before me many times: why do you (me) attend voice over classes?

The question is usually meant in a complimentary way (I think) as if to say you’re very talented and knowledgeable about all things voice. You should be teaching not studying.

Well I do teach (if you can call it that, compared to the scores of more thoughtful tutors in our industry) but I am so knowledgeable about voice and about life that I know just how much I don’t know. You may have to read that again to grasp the intent. The point is: there is always something more to learn. Our brains may have a finite capacity for knowledge but I’m pretty sure I’m still only using a ¼ of the tank in my cranium. So I need to keep filling.

GROUP OR SOLO?

Amy wanted me to consider private coaching as all of my learning as been in a group environment when it comes to voice over. She and many of my peers have accomplished great things in this format. I probably should try private coaching to actually compare but my inner-sense (and certainly experience) tells me I learn more in a group setting. Your mileage may vary as we all learn in different ways (best to check under your own hood for directions on preference.)

Maybe I’ll change my mind after I try the private route.

It could be that I “think” I prefer the group setting because of the solitary nature of our business; the chance to interact and work with peers helps renew my joy for voice over. “There are others like me, I am not a freak!” (Or at least the other freaks are very nice and I enjoy their company.)

But I think it’s getting input and direction from my respected teachers and insight from my fellow students that helps me improve so much in both my performance and my mental game. I will grant you that in a workshop setting, you would have to respect and value the opinion of your fellow students for this to be applicable and if you didn’t get a good group at the outset, you’re pooched). There are nuggets of voice over and performance gold all around in a great VO group class.

HIDDEN TALENTS REVEALED

There is always some epiphany I come away with when I study with Toni and the rest of the class who are by and large some of the most talent and under credited voice talents I have worked with in twenty-five years. Their talents and mine are always magnified under Toni’s tutelage.

Last night I was encouraged to use a narrator voice that to my ear sounded awfully but the class went nuts over it!

That to me is just one great example of why voice talents need to study: we as voice artists cannot rely constantly on our own ears to ensure our performances nor can we rely on the clients’ ears. Why?

Our ears are too used to and accepting of our own VO quirks and short cuts that can (long term) hamper our performance. And clients are not professional voice talents; they’ve hired you because you sound great to them so even if you know you offered a slightly flawed performance, they may love it. Well great, the check cleared and the client’s happy but should that in itself be enough? If you are a true voice professional, I say no.

VOICE 2008 AND OTHER WORKSHOPS

As we approach VOICE 2008 in Los Angeles in early August, there’s a lot of talk now about voice training. That event will bring together voice talents from around the world with some tremendous teachers – it’s a group learning setting where I know I would learn lots but I am not going. Why?

Cost? Not really as I have airline mileage points and hotel stay points that make travel a minor cost issue and certainly the show is not cost prohibitive. But as I told Amy ultimately the time and travel commitment is – I have to justify to myself taking a lot of time away from my children and my wife to pursue my professional education. And I’ve already done a lot of training this year.

Deb Munroe who is based out of Vancouver, B.C., came into Toronto a few months back to hold an advanced training of her Mic & Me Workshop. It was a two day event but I came up for only one day. What a fireball of energy Deb is! She’s a very focused teacher who helped me further my “everyman” persona is a great way. She’s a charmer and a go-getter who really helped everyone with their VO needs. You’ll see her at VOICE. Please tell her I said hi.

Stevie Vallance presented her Tooned In Workshop on character voices also in Toronto this summer. She is a multi-talent performer, a three-time Emmy nominee and one-time Emmy Award winner who continues to excel in the animation field, having served as a voice actor and voice director on many network cartoon shows. That was a wonderful vocal work out where I again was introduced to some new talent while also working with old friends.

Combine that with Fraley’s workshop coming up in August and that’s plenty of workshops for me. Though I would love the networking I would do in LA, its very unlikely that I’ll attend….this year.

What have been your training experiences this year and how did they go? Planning on any workshops and what are your goals for the workshops? Let me know.

Thanks for reading.

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pat fraley teaches in buffalo on august 16-17

pat_fraley_teaches

Voice over actor and teacher Pat Fraley teaches his seminars around the country when he’s not working on a voice project in LA. If you’ve been in voice over for anytime, you’ve likely heard of Fraley’s classes and how wildly popular they are.

Well there’s a wonderful, well-known voice actress and teacher in Western New York named Toni Silveri who has worked with and been friends with Pat for many years. That friendship coupled with their mutual professional respect and the Buffalo Niagara region’s storied broadcasting/voice over history has encouraged Pat to visit Buffalo numerous times with his wonderful always sold out classes.

This summer, Pat Fraley is coming to Buffalo again. Saturday, August 16th and Sunday, August 17th, 2008, Fraley will be presenting a two day workshop on The Silly, The Serious and The Subtle.

Download the Fraley Voice Class brochure here.

The classes will allow voice talents to hone their skills at creating and delivering character voice performances for the specific demands of the top three mediums: animation, interactive gaming and audio books (audio books will actually get a full day master class available only to VO professionals).

Class sizes are limited and are already filling up fast so contact Toni via email: tonisilveri at g mail dot com (figure it out).

Full disclosure: Toni is my voice coach and one of my agents (All Coast Talent is one of the few agencies that actually works at getting voice talents work). I have also studied with Pat before.

I am attending his August session and paying full boat because I know what a great teaching environment Toni establishes and what a great teacher Pat is. I have no stake in this presentation whatsoever except as a repeat student.

If you are a voice talent in Buffalo, Rochester, Syracuse, Fort Erie, St. Catherines, Toronto, Pittsburgh, Erie, Bradford, Cleveland and all points in between, I suggest you reserve one of the very limited spots for this voice talent training weekend.

If you miss because you’re slow to respond then shame on you. Get in touch with Toni today.

Thanks for reading.

If you haven’t already, we’d be honored if you subscribe to voxmarketising – the audio’connell blog and podcast by clicking the “subscribe” button on this blog. Also check out this cheap gaming PC build from the folks at BuildPC.

If you really like this post (of course we hope you do), please feel free to bookmark and or promote it by clicking the buttons below on your preferred services.

a chat with joe and john

insideradio.com

Mike Kinosian who writes for Inside Radio wrote a wonderful article on the voice over careers of Joe Cipriano and John Leader (who was friends with my voiceover idol Ernie Anderson).

A great read. Thanks Mike!

voiceover defined

announcer

The great thing about being asked “what do you do for a living?” is telling people that I am a voice over talent which often times is followed up by “what’s a voice over talent?” I get to tell them about my business because they asked me…I didn’t force explaination on them. That is a sales person’s dream!

The bad thing about that scenario is how often it happens and how monotonous the explaination can feel after a while.

Well leave it to voice talent and teacher Bettye Zoller to spend the time to define it for all of us so we can just send people to a web site after they back up the Brinks truck with the oodles of money they’re going to pay us for our voice over talent.

I really enjoyed the part where she rattled off examples of the type of work we do because I often forget a few:

Voiceover talents today are hired to narrate audio books, anime, cartoons, videos, films, and cable TV programs. They are the voices of toys, talking picture frames, cell phone messages, talking greeting cards, your car’s GPS navigation system, and everything else that’s manufactured with a computer chip inside of it on which a voice track can be stored and played. Voiceover talents greet you (and annoy you!) on thousands upon thousands of those pesky recorded telephone messages and IVR systems. They talk to you through ceiling speakers while you shop in stores. You hear voiceover talents trying to convince you to buy cosmetics at your department store on a video playing over and over (looping) next to those expensive cosmetic products! The military uses voiceovers in training projects and the educational field also uses voice actors for educational endeavors. Nearly every classroom today, kindergarten through post-graduate study in universities sports a large TV monitor in a corner on which educational videos are played. Sometimes, it seems that a teacher doesn’t talk very much anymore. Rather, schools teach a majority of the time with videos.

Thanks Bettye for taking the time to slap that together. You can read the whole article here if you like.

a better commercial voice demo

ear

There are some voice talents for whom it’s a stressful process but I really enjoy the process of producing voice over demos. I love reviewing the work, picking which cuts to use, freshening some segments that were poorly produced (and making the voice sound better) and then of course, the fun of picking the order. It’s a really enjoyable process.

Except when it’s my voice over demo that I’m working on.

Don’t misunderstand, I still like the process but the challenge of the effort when it’s your own work is tougher. Why? Because as voice talents we are each too close to our own work to be as objective as we can be for others. We voiced the spots or narrations, maybe we even produced the final production; the client paid us so they must have liked it, it must have been good, maybe even good enough for the demo reel. Or is it?

Look, the demo is the VO’s calling card, our billboard on the audio super highway, and it can be the difference between getting a job and not getting a job. It’s between 1-2 minutes that will decide “feast or famine”.

For my new commercial demo, I knew there were some spots I wanted to add that I just hadn’t gotten around to putting in. There was a national spot for Shell Oil Company and a big regional spot I did for the New Jersey Board of Tourism that I felt should be included, among others.

While as a demo producer I know how to produce great demos…I also know how much I can either “not hear” or “over hear” in my own work. Mistakes in either direction can lead to a “famine” demo.

I needed to call for backup.

The key to this back up process is to go to a set (or sets) of ears you trust. You need to understand your backup’s experience in audio production, voice over and demo production. A great set of ears has respected credentials in all those areas. In this instance, my backup does what I have often done for personal friends in the biz which is to actually re cut the demo into the order that might work better. On my demo, my back up made the right changes, in my opinion.

So as not to over step the favor my back up offered on my demo and risk a deluge of requests of him for demo help, I’ll merely say thanks Frank for your help (there’s only about 250 Franks in the VO biz so good luck sifting through them).

Give this new demo a listen and let me know what you think (it’s OK if you want to critique it).